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Article: Live Review

Jazz&Wine of Peace Festival 2018

Read "Jazz&Wine of Peace Festival 2018" reviewed by Neri Pollastri


Jazz&Wine of Peace Festival Cormons, Collio friulano e Brda slovena Teatro Comunale, varie sedi in cantine e sale 24-28.10.2018 Superato lo scorso anno il traguardo delle venti edizioni, il Jazz&Wine of Peace 2018 non ha abbassato l'asticella, proseguendo nel suo progetto che coniuga altissimo livello dei concerti, varietà stilistica ...

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Article: Live Review

Moldejazz 2018

Read "Moldejazz 2018" reviewed by Martin Longley


Moldejazz 2018 Molde, Norway July 16-21, 2018 Skyscraper cruise ships pull up to the the port of Molde in Norway, temporarily overpopulating this small west coast city, in addition to the folks who are already visiting for its long-established jazz festival. The Molde centre might be conventionally dedicated to shopping, ...

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Article: Jazz Poetry

Poetry and Jazz: A Chronology

Read "Poetry and Jazz: A Chronology" reviewed by Duncan Heining


My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...

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Article: Album Review

Soft Machine: Hidden Details

Read "Hidden Details" reviewed by John Kelman


Following a series of releases for Moonjune Records under the moniker Soft Machine Legacy, beginning with 2005's Live in Zaandam and concluding, most recently, with 2013's Burden of Proof, this quartet consisting largely of members from the classic Canterbury group Soft Machine has finally decided to drop the “Legacy" and go it with the original name ...

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Article: Album Review

John Bailey: Oneiric Sounds

Read "Oneiric Sounds" reviewed by Karl Ackermann


English guitarist and composer John Bailey holds a Master's Degree in Jazz Performance but has a background that includes a fondness for everything from heavy metal to classical music. The latter of the two is in evidence throughout the two suites that comprise Oneiric Sounds, a study in the blending of jazz and classical influences. This ...

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Article: Album Review

Skuli Sverrisson with Bill Frisell: Strata

Read "Strata" reviewed by Karl Ackermann


On their two previous third-season releases, Andy Zimmerman's Half Light and Lionel Loueke's Close Your Eyes (both 2018), Newvelle Records pushed the envelope just a bit away from the deeply melodic formula that they have favored across seventeen albums to date. While those vinyl releases incorporated more elements of improvisational complexity, they were hardly foraying into ...

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Article: Live Review

Moldejazz Festival 2018

Read "Moldejazz Festival 2018" reviewed by Luca Vitali


Molde Jazz Festival Molde, Norvegia 15-19.07.2018 Il festival jazz di Molde è il secondo più antico d'Europa --fondato nel 1961, lo precede di un solo anno il festival di Ljubljana la cui prima edizione risale al 1960 --e ancora oggi il più importante in Norvegia. È qui che Keith Jarrett e Jan ...

Article: Album Review

Ferenc Snetberger: Titok

Read "Titok" reviewed by Mario Calvitti


Dopo il disco dal vivo con cui ha esordito per la ECM, il chitarrista ungherese Ferenc Snetberger ritorna con un nuovo lavoro, questa volta in trio con il contrabbassista Anders Jormin e il batterista Joey Baron. La presenza di una sezione ritmica rende l'elemento jazzistico più marcato che nel precedente lavoro realizzato in solitudine, e fa ...

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Article: Live Review

Trondheim Jazzfest 2018

Read "Trondheim Jazzfest 2018" reviewed by Henning Bolte


Olafshallen, Dokhuset and other venues Trondheim Jazzfest Trondheim, Norway May 8-12, 2018 Trondheim, Norway's third largest city, is the country's main center of intelligence in science, engineering and technology. It holds a key place in Norwegian history and identity in general, and in jazz/music specifically. The ...

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Article: Album Review

Yelena Eckemoff: Desert

Read "Desert" reviewed by Dan McClenaghan


Pianist Yelena Eckemoff's backstory doesn't suggest the potential for a rise to the category of top level jazz pianist. But here she is, after emigrating to the U.S. from Russia with her husband--leaving her children (temporarily) and everything else (permanently) behind in 1991 to escape repression and to start a new life. Classically trained in her ...


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