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5

Article: Extended Analysis

Arild Andersen: Celebration

Read "Arild Andersen: Celebration" reviewed by John Kelman


Arild Andersen Celebration ECM Records 2012 With all the activities surrounding the 40th anniversary of ECM Records in 2009--from a three-day festival-within-a-festival at that year's Enjoy Jazz Festival in Mannheim, Germany, and the budget-priced Touchstone Series reissue of forty essential ECM titles, to the publication of an all-German book of commissioned ...

54

Article: Live Review

Trondheim Jazz Festival: May 9-13, 2012

Read "Trondheim Jazz Festival: May 9-13, 2012" reviewed by John Kelman


Trondheim Jazz FestivalTrondheim, NorwayMay 9-13, 2012 Being Norway's third largest city, next to Oslo and Bergen, means something completely different to being the third largest city in Canada or the United States. With more than 25,000 students in a city of approximately 160,000 people, it's not unlike (albeit a little larger than) ...

264

Article: Extended Analysis

Tord Gustavsen Quartet: The Well

Read "Tord Gustavsen Quartet: The Well" reviewed by John Kelman


Norwegian pianist Tord Gustavsen may not have attained the level of success, say, of a Keith Jarrett or Chick Corea with his 2003 ECM debut, Changing Places, but it clearly struck a popular chord, as well as garnering no shortage of critical acclaim. Subsequent touring around the world, including a number of North American dates, honed ...

217

Article: Profile

Manfred Eicher: Through the Lens

Read "Manfred Eicher: Through the Lens" reviewed by John Kelman


It begins in silence, always silence. Since the 1990s, all ECM recordings begin with five seconds of silence, and so, too, do directors Norbert Wiedmer and Peter Guyer open their feature film on the heralded German record label and its enigmatic founder, Sounds and Silence: Travels with Manfred Eicher. As longtime ECM recording artist Keith Jarrett's ...

110

Article: Album Review

Peter James Trio: Soul Story

Read "Soul Story" reviewed by Nic Jones


The piano trio is currently one of the staples in what might be called marketed jazz, but that doesn't mean that every example of the lineup lacks musical substance. British pianist Peter James' trio is a case in point, because it's clear that its stylistic range is wide, even while retaining its own identity.

260

Article: Extended Analysis

Gwilym Simcock, Mike Walker, Steve Swallow, Adam Nussbaum: The Impossible Gentlemen

Read "Gwilym Simcock, Mike Walker, Steve Swallow, Adam Nussbaum: The Impossible Gentlemen" reviewed by Chris May


The Impossible GentlemenThe Impossible GentlemenBasho Records2011 You may not have heard of The Impossible Gentlemen, for this is the group's first album, and you may not have heard of one of its two chief protagonists, as he has chosen to spend most of his career away from ...

627

Article: Interview

Bill Frisell: The ECM Years

Read "Bill Frisell: The ECM Years" reviewed by John Kelman


Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...

321

Article: Take Five With...

Take Five With Roy Powell

Read "Take Five With Roy Powell" reviewed by AAJ Staff


Meet Roy Powell:Roy Powell studied piano and avant-garde composition at the Royal Northern College of Music in Manchester England, before defecting to jazz. He first came to prominence in 1994 with his debut recording, A Big Sky, which was hailed as “a real benchmark in British contemporary electric jazz" by Jazz on CD. He ...

274

News: Recording

One Track Mind: Arild Andersen with Bill Frisell, "Dual Mr. Anthony Tillmon Williams" (1981)

One Track Mind: Arild Andersen with Bill Frisell, "Dual Mr. Anthony Tillmon Williams" (1981)

By S. Victor Aaron Some time ago...two years and three months ago to be more precise...we raved on the double-bass mastery of the Norwegian ECM Records mainstay Arild Andersen, and noted then that he “may not be the first name that comes up when one thinks of the greatest living acoustic bassists, but he's at least ...


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