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Brilliant Corners 2023
by Ian Patterson
Brilliant Corners Black Box Belfast, N. Ireland 2-11 March, 2023 One of the highlights of Belfast's music calendar, Brilliant Corners' eleventh annual shindig served up thirteen concerts over nine days. As ever, the main venue was Black Box, where audiences were treated to the best of Irish, British, European and North ...
James Brandon Lewis, Clean Feed, and Tomasz Stanko
by Maurice Hogue
This episode is packed with interesting new releases, starting with James Brandon Lewis and a new trio and a new label. You'll get a taste of several new albums from the latest batch from Clean Feed Records, as well as Rob Mazurek's Exploding Star Orchestra, Aussies Alister Spence at the piano with drummer Tony Buck (The ...
Art Ensemble Of Chicago: The Sixth Decade: From Paris to Paris
by Giuseppe Segala
Parigi è città fatale per l'Art Ensemble of Chicago: nel 1969 fu traguardo del prodigio artistico e umano preparato negli anni precedenti da Roscoe Mitchell, Malachi Favors e Joseph Jarman, che avevano incrociato le proprie esperienze dapprima al Wilson Junior College di Chicago, nel 1961, poi nel lavoro con la Experimental Band di Muhal Richard Abrams, ...
John Coltrane, Dave Liebman and Others
by Jerome Wilson
This vintage episode, from November 2021, features John Coltrane playing with Miles Davis and also Dave Liebman interpreting Coltrane's music. Other musicians heard include Dave Brubeck, Archie Shepp, Al Hibbler, and Anthony Ortega. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill ...
Joe Chambers: Dance Kobina
by Chris May
Drummer, composer and sometime vibraphonist Joe Chambers secured his place in jazz history going on six decades ago, though you might not guess it from listening to this album. In the mid-1960s, he was the drummer on a string of historic Blue Note albums recorded by Joe Henderson, Freddie Hubbard, Wayne Shorter and Bobby Hutcherson, among ...
Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-Ju Revisited
by Mark Corroto
Allow me to expand on a much restated quote from Albert Ayler: “Coltrane was The Father, Pharoah was The Son, and I was... The Holy Ghost." If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by ...
Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited
by Chris May
2023 kicks off with the bangingest back-in-the-day bang from the Swiss-based ezz-thetics label, whose carefully curated and remastered 1960s sessions from Archie Shepp, Horace Silver, John Coltrane and Albert Ayler lit up the reissue calendar in 2022. Shepp's The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited comes in at a whisker over ...
Phil Ranelin & Wendell Harrison: Jazz Is Dead 16
by Chris May
There is much to love about Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label and an equal amount to hate. The production duo's declared mission is “to foreground legends from the past" and “to highlight their contributions" to popular music in general and jazz in particular. Admirable. Spread the love. Trouble is, the results ...
Andrew Neil Hayes: Tenor Badness
by Chris May
Something big and wild and loud was stirring on the alternative British jazz scene around 2015, 2016. In London, high-voltage tenor sax and drums duo Binker and Moses made their debut album, as did jazz-rock power trio The Comet Is Coming. Meanwhile, in the west of the country, in the port city of Bristol, tenor saxophonist ...
The Attic—Rodrigo Amado / Gonçalo Almeida / Onno Govaert: Love Ghosts
by John Sharpe
Portuguese tenor saxophonist Rodrigo Amado has steadily become one of the premier players in the European free jazz arena, having banked the experience that comes through working with the likes of multi-instrumentalist Joe McPhee, trumpeter Peter Evans and pianist Alexander von Schlippenbach, reaping a rich dividend. Just how can be readily heard on Love Ghosts, the ...
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