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Article: Interview

Conrad Herwig: There's Nothing Else

by Bob Kenselaar
February 25, 2013

Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...

Article: Album Review

Barry Altschul: The 3dom

Read "The 3dom" reviewed by Mark Corroto

by Mark Corroto
February 10, 2013

Seems of late, Mr Simon, Mr Garfunkel and the nation have been singing “Coo, coo, ca- choo, Mrs. Robinson" not for Joe DiMaggio or the deceased Ann Bancroft, but for drummer Barry Altschul. Somehow, in the 1980s and '90s we misplaced him. Actually, he moved to Europe, recording for smaller labels before he quietly returned to ...

Article: Interview

Alexander Hawkins: Retaining The Sense of Discovery

by John Sharpe
January 15, 2013

One of the fastest-rising stars of the UK jazz scene, pianist Alexander Hawkins is remarkable in that he shines equally in both the further reaches of free improvisation and the creation of ingeniously crafted charts. Indeed, Hawkins' particular talent might be in bringing the two so close that it's hard to distinguish between them. At times ...

Article: Album Review

Mats Gustafsson: Stones

by John Eyles
January 14, 2013

Stones is a recording of the very first meeting of two remarkable saxophonists--legendary Swedish baritone and tenor player Mats Gustafsson and Montreal-based American Colin Stetson, a member of Arcade Fire's touring band as well as bass saxophonist of choice for an impressive list of musicians including Laurie Anderson, David Byrne and Tom Waits. The album's four ...

Album