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1

Article: Album Review

Russ Lossing: Metamorphism

Read "Metamorphism" reviewed by Neri Pollastri


Registrato nel luglio del 2017, questo lavoro a firma dell'allora cinquantasettenne Russ Lossing, pianista della scena newyorchese originario dell'Ohio, vede all'opera un quartetto classico nella formazione, ma in equilibrio tra mainstream e contemporaneità negli stilemi. Il leader, infatti, ha alle spalle trentacinque anni di collaborazioni con artisti di primissimo piano, da Kenny Wheeler a ...

25

Article: Album Review

Roberto Magris: Shuffling Ivories

Read "Shuffling Ivories" reviewed by Edward Blanco


Pianist Roberto Magris follows up his critically-acclaimed album Suite! (JMood Records, 2018) with a duet recording with Chicago-based bassist Eric Hochberg, whom he met while recoding Suite! . Returning to the windy city in November 2019 to promote the release of Suite! , Magris and Hochberg decided to make an album of their own while enduring ...

27

Article: Album Review

Roberto Magris: Shuffling Ivories

Read "Shuffling Ivories" reviewed by Jack Bowers


In 2018, while he was in Chicago to record his ninth album, Suite!, for JMood Records, pianist Roberto Magris was introduced by tenor saxophonist Mark Colby to bassist Eric Hochberg, an artist with whom Magris formed an almost immediate bond. After performing together at Chicago's Jazz Showcase, Magris and Hochberg decided they should record together, and ...

6

Article: Album Review

Joshua Abrams’ Cloud Script: Cloud Script

Read "Cloud Script" reviewed by Mark Corroto


You can take bassist Joshua Abrams out of his Natural Information Society, but you can't take the Natural Information Society out of Abrams. His long- lived ensemble, which traffics in long-form psychedelic environmental music, has made a permanent imprint on just about everything Abrams does. In bands led by Nicole Mitchell, Hamid Drake, Dave Rempis, and ...

Article: Album Review

Joe Chambers: Samba De Maracatu

Read "Samba De Maracatu" reviewed by Angelo Leonardi


Batterista leggendario, compartecipe di grandi pagine del bop avanzato degli anni sessanta settanta, con Wayne Shorter, Andrew Hill, Bobby Hutcherson, Joe Henderson e decine di altri, il batterista Joe Chambers torna in casa Blue Note dopo un'assenza più che ventennale. Nella storica etichetta fondata da Alfred Lion, Chambers era soprattutto un sideman e ...

9

News: Recording

JMood Records Releases Pianist Roberto Magris' 'Shuffling Ivories'

JMood Records Releases Pianist Roberto Magris' 'Shuffling Ivories'

JMood Records is pleased to announce the CD release of Shuffling Ivories by Roberto Magris.” “This project is a fantastic voyage from, Eubie Blake to Andrew Hill, spanning over 100 years of jazz history and over one hour of amazing music”, says Kansas City jazz impresario Paul Collins. “Although this project reflects music from several jazz ...

9

Article: Album Review

Joe Chambers: Samba De Maracatu

Read "Samba De Maracatu" reviewed by Chris May


Drummer Joe Chambers was unusual among the drummers who emerged on the Blue Note label in the mid 1960s in that not only did he generate a powerful beat, he wrote strong tunes, too. He played on, and often composed pieces for, albums by such Blue Note luminaries as saxophonists Wayne Shorter and Joe Henderson, vibraphonist ...

11

Article: Album Review

François Lana Trio: Cathédrale

Read "Cathédrale" reviewed by Troy Dostert


The title of Swiss-based pianist François Lana's latest release, Cathédrale, carries a two-fold significance. Its most obvious reference is to transcendence, something Lana affirms in the liner notes: “Music is a form of spirituality," but it can also be a reference to the sophisticated architectural approach Lana brings to his art. Not only the music, but ...

48

Article: Building a Jazz Library

Solo Recordings for Non-Traditionalists

Read "Solo Recordings for Non-Traditionalists" reviewed by Karl Ackermann


On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...

4

Article: Interview

Frank Kimbrough: Changing the Contexts, Keeping It Fresh

Read "Frank Kimbrough: Changing the Contexts, Keeping It Fresh" reviewed by Wayne Zade


From the 1995-2003 archive: This article first appeared at All About Jazz in September 2002. Frank Kimbrough is one of the most versatile and innovative pianists in jazz on the New York and national scenes. He has been the pianist in the Maria Schneider jazz orchestra and has recorded seven albums under his own ...


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