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142

News: Performance / Tour

Ambrose Akinmusire at Jazz Standard

Ambrose Akinmusire at Jazz Standard

Ambrose Akinmusire's opening set at the Jazz Standard on Friday showed some excitement and unease: a young trumpeter and composer still looking for, or maybe still rejecting, a style. The music wasnt quite there yet, and it wasn't clear just where “there" was. But the irresolution felt good enough for now. It's clear that Mr. Akinmusire, ...

223

News: Music Industry

Blue Note Records Signs Ambrose Akinmusire

Blue Note Records Signs Ambrose Akinmusire

JAZZ TRUMPETER & MONK COMPETITION WINNER “DESTINED FOR MUCH WIDER RECOGNITION" (NEW YORK TIMES) EMI's Blue Note Records has signed jazz trumpeter, composer, and bandleader Ambrose Akinmusire. The 28 year-old winner of the Thelonious Monk International Jazz Competition will head into the studio this Fall to record his major label debut with labelmate Jason Moran as ...

227

Article: Album Review

John Escreet: Don't Fight The Inevitable

Read "Don't Fight The Inevitable" reviewed by Bruce Lindsay


British pianist John Escreet is a prodigiously talented young musician with a growing reputation as a player and composer. Don't Fight The Inevitable--his second solo album, following 2008's acclaimed Consequences (Posi-Tone Records)--finds Escreet in the company of top-flight New York players, creating some intense and complex music. The quintet is almost identical to ...

148

Article: Album Review

John Escreet: Don't Fight The Inevitable

Read "Don't Fight The Inevitable" reviewed by Dan Bilawsky


Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...

226

Article: Album Review

Justin Janer: Following Signs

Read "Following Signs" reviewed by Bruce Lindsay


Following Signs, saxophonist Justin Janer's debut as leader, is an assured recording. Janer leads a tight and disciplined quintet through seven original tunes and a cover of Bob Hilliard and Sammy Fain's “Alice in Wonderland," displaying his craft and individuality as a player and composer. Musical high spots arise from the interplay between ...

115

News: Festival

On the Horns of Abundance: Jazz Festivals Resound

On the Horns of Abundance: Jazz Festivals Resound

An extraordinary amount of jazz hits New York over the next two weeks: four festivals, about 150 sets, and much of it extracurricular to the usual riches at the clubs. Its a time of marathons and breadth and goes in heavy for the new: not just youth, but also new aesthetic combinations, new attitudes toward repertory, ...

344

Article: Album Review

John Escreet: Don't Fight the Inevitable

Read "Don't Fight the Inevitable" reviewed by John Kelman


Since moving to New York in 2006, pianist John Escreet has positioned himself as one of the scene's most significant up-and-comers. In addition to performances with artists including Chris Potter and Seamus Blake, he's a member The Story, which released its self-titled debut independently in 2009. Escreet also gigs with David Binney, appearing on Aliso (Criss ...

180

Article: Album Review

Justin Janer: Following Signs

Read "Following Signs" reviewed by Dan Bilawsky


While people might want to pigeonhole alto saxophonist Justin Janer as a Latin jazz player, Following Signs paints him as a musician and composer with a broad outlook that goes past generic stylistic markers. Janer occupied the lead alto chair when percussionist Bobby Sanabria delivered the goods with the Manhattan School of Music's Afro-Cuban Jazz Orchestra ...

171

Article: Album Review

Justin Janer: Following Signs

Read "Following Signs" reviewed by Mark Corroto


If jazz radio had a hit singles chart, then “Bright New Day" from alto saxophonist Justin Janer's debut album, Following Signs, would be climbing towards number one with a bullet. The infectious opening track, penned by Janer, is a honeyed melody that ladles mellowed bop over a gorgeous harmony. Janer's saxophone is braided with trumpet sensation ...

155

News: Performance / Tour

Tomorrow Night! The Ambrose Akinmusire & Yaron Herman Project

Tomorrow Night! The Ambrose Akinmusire & Yaron Herman Project

The National Jazz Museum in Harlem @ The Rubin Museum of Art 150 West 17th Street, New York City All tickets $18 in advance / $20 day of; $7 student standby Fridays at 7:00 p.m. Box Office: 212.620.5000 ext. 344 Online tickets: rmanyc.org/calendar Ambrose Akinmusire & ...


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