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Alexander von Schlippenbach / Aki Takase: Live At Cafe Amores
by John Sharpe
The Lithuanian NoBusiness imprint has unearthed another gem from the vaults of the Japanese Chap Chap label. Live At Cafe Amores represents the third duet recording from the husband-and-wife pairing of pianists Alexander von Schlippenbach and Aki Takase, but the first where they share the same instrument. Such a situation was perhaps only possible for an ...
Mountweazel, Tim Haldeman & More
by Maurice Hogue
Musicians are no different than many of us as we move from place to place for reasons of opportunity, love, employment, school, freedom, safety and peace. This week's edition of One Man's Jazz features three sax players who have done just that. Sweden's Alberto Pinton is Italian, but has lived in Sweden for many years. You'll ...
Michael Dease's new album and a focus on Paolo Fresu
by Bob Osborne
This week the exceptional new record from Michael Dease is the featured album, plus we focus on trumpeter Paolo Fresu, and spin a selection of high quality jazz music. Playlist Michael Dease “Pearls" from Bonafide (Posi-tone) 00:00 Daniel Bennett Group “Loose Fitting Spare Tire" from We Are the Orchestra (Manhatten Daylight Media) 06:08 Florian Weber “From ...
Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years
by John Sharpe
The internet. Mobile phones. Social media. The Fall of the Berlin Wall. A lot's happened over the last 50 years. When pianist Alexander von Schlippenbach first assembled the Globe Unity Orchestra in the autumn of 1966, John Coltrane, Miles Davis and Thelonious Monk still walked the earth. The GUO was one of the first expressions of ...
Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years
by Mark Corroto
Pianist Alexander von Schlippenbach's Globe Unity Orchestra (GUO) employs a similar head-scratching process to that utilized to make geuze, a much-treasured Belgian beer. Both elicit the “how did they do that?" question, and both seem to be a gift from Mother Nature. Schlippenbach brings together a choice assemblage of improvisers, like the ingredients of guesze (wheat ...
Rudi Mahall / Alexander von Schlippenbach: So Far
by Mark Corroto
The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay. The two German ...
Christoph Erb / Jim Baker / Frank Rosaly: ...don't buy him a parrot...
by John Sharpe
Swiss reedman Christoph Erb has a thing about the Windy City. He first visited in 2011 and discovered fertile ground for collaborations, affirmed by the 14 Chicago-centric releases on his own Veto imprint. Among those hookups is the trio here with pianist Jim Baker and drummer Frank Rosaly, which is also responsible for Parrots Paradise (Veto ...
Die Enttäuschung: Lavaman
by Mark Corroto
It has been twenty years since Die Enttäuschung recorded the music of Thelonious Monk, but Monk continues to be an essential component of their music making. This is also the case with Steve Lacy and Roswell Rudd's music after their Monk cover band School Days (Emanem, 1975) disbanded. The concepts of Monk's music were integral in ...
Evan Parker
by John Eyles
In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...
Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Sven-Åke Johansson Blue for a Moment NI VU NI CONNU 2017 In conjunction with the film of the same name, the LP boxset Blue for a Moment was prepared as a limited release (250 signed copies) of Swedish musician Sven-Åke Johansson's music. It is in no way a complete retrospective. ...
