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Robert Burke, Tony Malaby and Mark Helias: Head Under Water
by Troy Dostert
A heralded veteran of the Australian jazz scene, saxophonist Robert Burke has never been one to limit his artistic reach through idiomatic complacency. Just within the last couple years, he has collaborated with pianist (and fellow Australian) Paul Grabowsky on Gravity Project (Apollo Sounds, 2018)--an intriguing East-meets-West endeavor that merged traditional Japanese music, jazz, hip-hop and ...
Michael Attias: échos la nuit
by Karl Ackermann
In the early days of Rahsaan Roland Kirk's career, there were critics who viewed the blind man with three instruments hanging from his neck--two to be played simultaneously--as posturing. Then they heard him play. Forty years later, and filtered through the influence of four continents, Michaël Attias takes up the task of improvising on two different ...
Seamus Blake: Guardians Of The Heart Machine
by Roger Farbey
Seamus Blake was born in 1970 in London, England but raised in Vancouver, Canada. He studied jazz at Berklee College of Music and following his graduation moved to New York Cit, where he became a fixture on the jazz scene including being a member of the Mingus Big Band. He's played or recorded with Victor Lewis, ...
Andrea Domenici Trio: Playing Who I Am
by Dr. Judith Schlesinger
The traditional road to musical success has been to make and promote a first recording, aiming for the kind of critical and public attention that leads to prestigious bandmates and gigs. But the fine pianist Andrea Domenici paves a new path with his masterful debut Playing Who I Am, since it arrives after he has already ...
Milder - Ljungkvist - Landæus - Augustson - Rundqvist: The Music Of Anders Garstedt
by Angelo Leonardi
Non era il debole sole del Nord ad animare la musica di Anders Garstedt ma un coinvolgimento nel modern mainstream anni cinquanta, sia statunitense che europeo. Parliamo al passato perchè il trombettista svedese è scomparso a soli trentun anni nel 2000. Era nato a Karlstad la città prospicente il lago Vänern e dopo aver studiato il ...
Marion Brown, Dave Burrell: Live at the Black Musicians' Conference, 1981
by Vincenzo Roggero
Nell'aprile del 1981 presso la University of Massachusetts Amherst si tenne la Black Music Conference, settimana di concerti, workshop, letture che vide coinvolti studenti, insegnanti musicisti. La serata del dieci aprile prevedeva come apertura il duo Marion Brown e Hilton Ruiz, ma la defezione all'ultimo minuto del pianista di origine portoricana portò sul palcoscenico Dave Burrell, ...
Misha Tsiganov: Playing With The Wind
by Dan Bilawsky
Pianist Misha Tsiganov seems to further his creative reach with each date he delivers. While calculation and supreme specificity with the pen always help to keep things grounded in his music, the level of daring in Tsiganov's compositions and the high degree of spontaneity he brings to the fore through his piano help to continually push ...
Eumir Deodato: Os Catedraticos 73
by Mark Sullivan
Composer/arranger/keyboardist Eumir Deodato is best known for a series of albums on the CTI label, notably Prelude (CTI Records, 1973) and Deodato 2 (CTI Records, 1973). Os Catedraticos 73 dates from the same period, and employs many of the same musicians. It was recorded between Rio de Janeiro and New York, featuring a Brazilian rhythm section ...
Various Artists: Whiskey Juliet Foxtrot
by Luke Seabright
Much like the highly-regarded We Out Here (Brownswood Recordings, 2018), Whiskey Juliet Foxtrot is all about showcasing some exciting new talent in jazz. However, there is perhaps an extra lesson to be learned from Byrd Out's new compilation album; we would be wrong to assume that the UK's flourishing scene is solely concentrated in London.
Greg Ward presents Rogue Parade: Stomping Off From Greenwood
by Jerome Wilson
On this CD saxophonist Greg Ward presents a new group, Rogue Parade, which features a front line with two guitarists, Matt Gold and Dave Miller, alongside Ward's alto. Such a configuration, combined with the graffiti-covered walls on the CD cover, suggests this band might work the slippery, interlocking street-funk path explored by Steve Coleman's groups with ...


