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Jozef Dumoulin & Lidbloj: Live in Neerpelt
by Glenn Astarita
Belgian keyboardist Jozef Dumoulin incorporates some oddball and magical innuendoes with his Fender Rhodes and electronics implementations, and is an inventive improviser who comingles a flock of emotive voicings into his work. On this outing he leads an international outfit, featuring Clean Feed Records artist Lynn Cassiers who harmonizes with the instrumentalists via her angelic vocals, ...
Anders Jormin: Poems For Orchestra
by Friedrich Kunzmann
Swedish bassist and composer Anders Jormin has been recording since the mid 1980s, playing with greats such as his countryman Bobo Stenson, American saxophonist Charles Lloyd and Polish trumpeter Tomasz Stanko among others. Since his debut as a leader for ECM in 2001, he has kept close to the label. But the concept on Poems for ...
Brian Krock: Liddle
by Angelo Leonardi
Fattosi conoscere dal pubblico internazionale per il magistrale debutto di Big Heart Machine, il sassofonista Brian Krock accantona per il momento l'orchestra e presenta in questi giorni il disco del nuovo sestetto comprendente il noto pianista Matt Mitchell (già con Tim Berne, Dave Douglas, Steve Coleman e propri gruppi) e il talentoso giovane chitarrista finlandese Olli ...
The Art Ensemble of Chicago: We Are On The Edge: A 50th Anniversary Celebration
by Mark Corroto
Seventy plus recordings and fifty years since the inception of The Art Ensemble Of Chicago. I mean the Roscoe Mitchell Art Ensemble, its original name. Born of Chicago's Association for the Advancement of Creative Musicians (AACM), the band sojourned to Paris and soon changed its name to The Art Ensemble Of Chicago to reflect the corroborative ...
Philipp Schiepek: Golem Dance
by Friedrich Kunzmann
Melodic ease, harmonic subtlety and an intriguingly dispersed approach to compositional structure make up the winning trinity of this enjoyable debut recording by German guitarist and composer Philipp Schiepek. Most impressively, these aspects belong to the qualities one would expect a 24-year young jazz guitarist to have mastered the least at this point in their career. ...
Noah Preminger Rob Garcia Dead Composers Club: Chopin Project
by Alberto Bazzurro
Quartetto a doppia firma, questo “club dei compositori morti," con Noah Preminger che ribadisce la sua predilezione per l'organico a quattro, ma agisce qui con una chitarra al posto della tromba (Jason Palmer), confermando peraltro al contrabbasso Kim Cass. Del resto il gruppo, come detto, non è solo suo, con Rob Garcia che—a voler completare il ...
Dustin Carlson: Air Ceremony
by Vincenzo Roggero
Dando un'occhiata alla formazione troviamo Kate Gentile, batterista sempre più assidua in dischi e in gruppi importanti, Matt Mitchell, nome ormai affermato nel jazz che conta, qui impegnato al mitico Prophet 6, Nathaniel Morgan ed Eric Trudel ai sassofoni, Danny Gouker alla tromba, abituali frequentatori del jazz meno canonico, il bassista Adam Hopkins presenza attiva della ...
Larry Koonse: New Jazz Standards, Vol. 4
by Dan Bilawsky
This fourth volume in a series of recordings saluting and promoting the music of trumpeter Carl Saunders is every bit as sophisticated and attractive as its predecessors. Guitarist Larry Koonse leads the way through a dozen songs with supreme style and grace, comfortably placing this collection right next to earlier Saunders sets helmed by flutist Sam ...
Christian Lillinger: Open Form For Society
by Mark Corroto
German drummer and über composer Christian Lillinger might be best known for his ensemble Grund which has released several outstanding recordings since 2009. He can also be found in good company with musicians like Peter Evans, Samo Šalamon, Luís Lopes, Pascal Niggenkemper, Tobias Delius and Achim Kaufmann, to name but a few heavy hitters with whom ...
Trio Heinz Herbert: Yes
by John Sharpe
On their second album on Intakt, after The Willisau Concert (2017), the young electronics-heavy Swiss threesome Trio Heinz Herbert move even further from their jazz roots. The prevalent effects mean that sound sources in most cases remain indeterminate, emphasizing that theirs is a collectively derived music, more about feel, coloration and texture than individual prowess and ...
