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Charlie Rauh and Cameron Mizell: What We Have In Common
by Jim Olin
Charlie Rauh and Cameron Mizell combine the immediacy of folk music with the unique twists of jazz. Their guitar playing is nuanced, making the most out of every detail of their performances. Rauh and Mizell both have a knack for focusing on the small things, making each moment special. However, they can also work on the ...
Mark Kavuma: The Banger Factory
by Chris May
An associate of the Tomorrow's Warriors and Kinetika Bloco community projects through whose ranks have passed practically all the leading musicians in London's woke-jazz world, trumpeter Mark Kavuma stands a little apart from many of his peers. While the new London scene is characterized by hefty infusions of modern Caribbean and African music and London club ...
Or Bareket: 33
by Friedrich Kunzmann
Israel-native bassist and composer Or Bareket has made a name for himself in international jazz waters since his move to New York in 2010. By working with the likes of veteran musicians such as Chris Potter, Peter Bernstein and currently Ari Hoenig, as well as the younger generation represented by Camila Meza and Yotam Silberstein, Bareket ...
Zhenya Strigalev and Federico Dannemann: The Change
by Glenn Astarita
The leaders of this date met 14-years ago at the Royal Academy Music and have become important contributors to London's jazz scene. The album title parallels life's changes, namely saxophonist Zhenya Strigalev's move back to Russia and guitarist Federico Danneman's return to performing after devoting much of his time to teaching in Santiago, Chile. As first-call ...
Sylvie Courvoisier and Mark Feldman: Time Gone Out
by Troy Dostert
In a partnership that spans decades, pianist Sylvie Courvoisier and violinist Mark Feldman have forged a musical language that essentially obliterates the idiomatic distinctions between classical composition and improvised jazz. Both are unquestioned virtuosos, with the technical ability to do virtually anything on their respective instruments, and this is critical to their ability to create music ...
Ocean Fanfare: First Nature
by Mark Corroto
If you were to play a game of 'name that artist' while listening to the recording First Nature, roughly half of the contestants would identify the band as the Dave Douglas Quartet, not because Tomasz Dąbrowski has a derivative sound, but more as a compliment to his range and imagination. The Polish trumpeter, now a Scandinavian ...
Eric Alexander: Leap of Faith
by Friedrich Kunzmann
Acclaimed saxophonist Eric Alexander needs no special introduction. His pioneering work in the jazz world has been an inspiration to many of his peers since the early 90s. On this special chordless endeavour—featuring the chops of Doug Weiss on bass and drummer Jonathan Blake whose own recording in a very similar chordless constellation was likewise recently ...
Evan Parker: Crepuscule In Nickelsdorf
by Glenn Astarita
This is another bright spot in acclaimed British saxophonist Evan Parker's extensive career. Along with Matthew Wright's turntable and live sampling activities, Trance Map emanates from the duo's meeting in 2008, for a project that includes field recordings, samples and other EFX-based mediums merged into improvisational creations. It's an electro-organic infusion, complete with the sounds of ...
Skip Wilkins Quartet feat. Daniel Wilkins: Czech Wishes
by Troy Dostert
Although he's based in Eastern Pennsylvania, where he teaches at Lafayette College, pianist Skip Wilkins spends as much time as he can in the Czech Republic, the source of inspiration for his last two releases. Czech Dreams (New Port Line, 2013) and Czech Wishes, his current project, are not so much about crafting an Eastern European-tinged ...
Sarathy Korwar: More Arriving
by Gareth Thompson
In dusty old legends, the tabla came into being when a thirteenth century Sufi disciple sawed a pakhawaj (two-headed drum) in half. Sarathy Korwar has delved deeper into history than that by recording the music of the Sidis, descendants of African tribes who came to India in the seventh century. The results of this bore fruit ...
