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12

Article: Album Review

James Carney: Pure Heart

Read "Pure Heart" reviewed by Peter J. Hoetjes

by Peter J. Hoetjes

When a large ensemble like the one heard on Pure Heart contains such dynamic personalities as Ravi Coltrane, Oscar Noreiga and Dezron Douglas, it's a sure bet that a bandleader is going to have their hands full directing them through his compositions. However, with just five songs to the album, pianist James Carney is able to ...

4

Article: Album Review

Jimmy Heath: Love Letter

Read "Love Letter" reviewed by Chris May

by Chris May

Love Letter is the final album to be made by saxophonist Jimmy Heath, who passed in January 2020 aged 93. It was completeted just a month earlier. The title is well chosen: the album is a love letter to jazz, a love letter to ballads, and a love letter to Heath's surviving family members, friends and ...

6

Article: Album Review

Verneri Pohjola: The Dead Don't Dream

Read "The Dead Don't Dream" reviewed by Ian Patterson

by Ian Patterson

The photo on the front cover shows a levitating Verneri Pohjola. A rising star? That tag might have been appropriate at the time of Aurora (ACT Music, 2009), but the brilliant subsequent albums Bullhorn (2015) and Pekka (2017), both on Edition Records, confirmed the Finnish trumpeter's arrival at the top table of European jazz. Pohjola's distinctive ...

4

Article: Album Review

Matthew Shipp String Trio: Symbolic Reality

Read "Symbolic Reality" reviewed by John Sharpe

by John Sharpe

Pianist Matthew Shipp's String Trio reunites three familiar collaborators whose paths cross in multiple settings. Bassist William Parker and violist Mat Maneri complete a line-up unchanged since the triumvirate's debut By The Law Of Music (Hatology, 1997). In the twenty-plus years since that point, they have further cemented their standing in the jazz world as leading ...

6

Article: Album Review

Triosence: Hidden Beauty

Read "Hidden Beauty" reviewed by David Bruggink

by David Bruggink

Triosence may not yet be a household name among jazz aficionados in the United States, but since the turn of the millennium, they have become a fixture of the German jazz scene. In addition to performing internationally, they take a distinctly cosmopolitan approach to their sound. Past albums have shown the trio intermingling aromas of Asia, ...

2

Article: Album Review

Federica Michisanti Horn Trio: Jeux De Couleurs

Read "Jeux De Couleurs" reviewed by Angelo Leonardi

by Angelo Leonardi

Il fermento creativo dell'Horn Trio di Federica Michisanti (con Francesco Bigoni al clarinetto/sax tenore e Francesco Lento alla tromba/flicorno) compie nuovi passi avanti. L'estetica di fondo è ovviamente in sintonia con il precedente Silent Rides e in parte con Isk (Filibusta Records, 2016), registrato col sassofonista Matt Renzi e il pianista Simone Maggio. Alla libertà armonica ...

16

Article: Album Review

Attila László: Concerto for Jazz Guitar & Chamber Orchestra

Read "Concerto for Jazz Guitar & Chamber Orchestra" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

A household name in Hungary's jazz topographic for about 40 years, Hungarian guitarist Attila Laszlo has made a lasting impact on the fusion guitar world with a number of critically acclaimed collaborations, and by performing alongside international heavy weights of the genre, such as Randy Brecker, Peter Erskine and Weather Report bassist Miroslav Vitous. More recently ...

4

Article: Album Review

Erroll Garner: Erroll Garner Plays Gershwin & Kern

Read "Erroll Garner Plays Gershwin & Kern" reviewed by Chris May

by Chris May

The British newspaper The Times once nailed Abdullah Ibrahim's appeal thus: “There are few musicians in jazz who can make you feel that essentially all is right in the world." The late Erroll Garner is another pianist whose music could be similarly described. You might argue that Ibrahim's task is harder, because much of his work ...

6

Article: Album Review

Nils Okland Band: Kjølvatn

Read "Kjølvatn" reviewed by David Bruggink

by David Bruggink

A seasoned solo performer, sideman and leader, Nils Økland is a frequent ECM Records contributor capable of playing expressively across multiple styles. His hardanger fiddle and violin can range from poised and elegant—see Lysøen -Hommage à Ole Bull (2011), his collaboration with pianist Sigbjørn Apeland—to raucous, as on the Dirty Three-esque Lumen Drones (2014).

22

Article: Album Review

Throttle Elevator Music: Emergency Exit

Read "Emergency Exit" reviewed by Karl Ackermann

by Karl Ackermann

The sub-genre of “punk jazz" has existed—on paper— since the 1970s when Patti Smith proposed a collaboration with Ornette Coleman. That partnership did not materialize. When all the moving pieces are pulled together there is little substance to suggest that the category ever shared specific practices or conventions. Then, in 2012, Throttle Elevator Music emerged with ...


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