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The Mike Melito / Dino Losito Quartet: You're It!
by David A. Orthmann
Moderation is a virtue which pervades You're It!, a date co-led by drummer Mike Melito and pianist Dino Losito. It is a pleasure--and a relief—to hear a bop-influenced recording in which jazzmen (three in their middle years and one octogenarian) transcend influences and forge their own standards of performance. The record is impressive in part because ...
Allman Brothers Band: The Final Note - Painters Mill Music Fair, Owings Mills, MD 10-17-71
by C. Michael Bailey
The obvious significance of The Final Note -Painters Mill Music Fair, Owings Mills, MD 10-17-71 is evident in the title. This was the last performance by guitarist and Allman Brothers Band founder Duane Allman before his motorcycle-related death 12 days later. An audience recording made on a 60- minute cassette tape by radio music journalist Sam ...
Mike Fahie Jazz Orchestra: Urban(e)
by Dan Bilawsky
There's a rocky history surrounding jazz-classical hybrids. But, in truth, that has little to do with any potential incompatibility. Instead, it's usually misguided maneuvering and/or an excessive show of dominant traits from one side or the other that mars said unions. When done right a wedding of those worlds can truly birth brilliance. Just listen to ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
Hvalfugl: Øjeblikke Vi Husker
by Anthony Shaw
There's no denying that this Danish trio plays a very mellow mood. Based around the interplay of Jeppe Lavsen's mildly electrified, echoing guitar and Jonathan Fjord Bredholt's piano, this album continues the style that Hvalfugl captured on earlier albums. But while the melodies move gently forward there are small surprises lurking along the way. These ...
Derek Brown and The Holland Concert Jazz Orchestra: All Figured Out
by Geno Thackara
Whatever you imagine when you think of big bands, it's nothing quite like this. While Derek Brown can ably channel the snappy spirit of golden-age jazz--and certainly does here, with happy hard-swinging results--his spirit in composing and bandleading could not be more thoroughly modern. The same can be said of his approach to his instrument, as ...
Steph Richards: Supersense
by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...
Jason Robinson: Harmonic Constituent
by Mark Corroto
If you've ever visited Mendocino County you would have a head start to appreciate saxophonist Jason Robinson's Harmonic Constituent. His week-long retreat to this magnificent Northern California coast inspired this ambitious and diverse recording. Robinson, a musical omnivore previously recorded with the quartet Cosmologic, his Henry Threadgill inspired Janus Ensemble, in duos with Anthony Davis and ...
Alex Moxon Quartet: Alex Moxon Quartet
by Jack Bowers
After gigging and teaching in his native Canada for almost two decades, guitarist Alex Moxon has recorded the first album solely under his name, and it is a well-played, mostly middle-of-the-road studio session in which his quartet may not turn any heads but should not turn anyone off either. It is simply pleasant, non-unnerving music--much of ...
Josh Nelson: D+N+A: David/Nelson/Agreement
by C. Michael Bailey
Vocalist Mon David and pianist Josh Nelson's D+N+A: David/Nelson/Agreement has two recorded antecedents in John Coltrane and Johnny Hartman (Impulse!, 1963) and Emilia Vancini's And If You Fall, You Fall (Espira, 2020). This new release favors the former in that David is a baritone voice as was Hartman and his repertoire on D+N+A is one of ...
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