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Broken Shadows: Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King
by Dan McClenaghan
The context for Broken Shadows is--can you guess--the Ornette Coleman album of the same name, recorded in 1971 and released on Columbia Records in 1982. That, along with three tunes from Coleman's Science Fiction (Columbia, 1971), and more from the free jazz pioneer's Atlantic and Blue Note Records days. And while we're at it, throw in ...
Hans Koch & Paul Lovens: Nephlokokkygia 1992
by Mark Corroto
This live recording from a tour through Bulgaria in 1992 begs the questions: why Bulgaria? and, most importantly, why are there not more recordings from Hans Koch and Paul Lovens? Nephlokokkygia or “CloudCuckooLand" is seeing the light of day for the first time as, during the pandemic year of 2020, Koch edited tape recordings of the ...
Francesco Amenta: Midtown Walk
by Pierre Giroux
New York City continues to be a destination for individuals who wish to build a career for themselves in what is probably the toughest jazz market in the world. Tenor saxophonist Francesco Amenta who was born and raised in Modena Italy, came to NYC in 2017 and is now fighting for time and space to build ...
Dave Holland / Kevin Eubanks / Obed Calvaire: Another Land
by Emmanuel Di Tommaso
Dave Holland ritorna protagonista della scena musicale con l'album Another Land, pubblicato dalla Edition Records, e che riunisce, al fianco del monumentale bassista inglese, Kevin Eubanks e Obed Calvaire. Si tratta di un album registrato in studio e composto interamente da brani inediti che il trio ha concepito durante una serie di esibizioni live definite dal ...
Masabumi Kikuchi: Hanamichi — The Final Studio Recording
by Neri Pollastri
Esce postumo, a inaugurare l'etichetta Red Hook, questo album in solitudine del grande pianista giapponese Masabumi Kikuchi, che molti ricorderanno per le collaborazioni con Gary Peacock (epica quella del 1971, Voices) e Paul Motian, su tutte il formidabile e geniale trio Tethered Moon. Registrato nel 2013, due anni prima della sua scomparsa, il lavoro vede il ...
Carlos Niño: More Energy Fields, Current
by Chris May
Los Angeles-based percussionist, producer and sometime radio DJ Carlos Niño is active in jazz and new age music. His new age work, though immaculately crafted, is of limited interest from an AAJ perspective. But his jazz projects repay close attention. An early landmark was Horace (Elephant, 2001), singer Dwight Trible's salute to pianist, bandleader and community ...
Rale Micic: Only Love Will Stay
by Jack Bowers
Only Love Will Stay, a tasteful and even-keeled trio date, embodies seven of Serbian-born guitarist and leader Rale Micic's original compositions and a lone standard, Irving Berlin's venerable “How Deep Is the Ocean." Micic is ably supported by organist Jared Gold and either Johnathan Blake (five tracks) or Geoff Clapp (three) on drums. Micic's themes are ...
John Daversa Jazz Orchestra: All Without Words: Variations Inspired by Loren
by Jerome Wilson
Music can be inspired by many things, such as romantic affection, personal experience, world events and social concerns among many others. This extraordinary piece of music was inspired by a parent's love for a child. Trumpeter John Daversa asked his friend, composer Justin Morell, to write a large-scale orchestral piece for him. Morell came ...
Rubén Blades: Salswing!
by Jim Trageser
In the liner notes to this recording, veteran Latin pop singer Rubén Blades explains that Salswing! is meant as a demonstrative statement: About his own ability to grow beyond being a Panamanian singer, to show that musicians can speak to an audience beyond their own nationality, and to celebrate the stellar chops of the Roberto Delgado ...
Johannes Wallmann: Elegy For An Undiscovered Species
by Dan McClenaghan
Pianist Johannes Wallmann's Elegy For An Undiscovered Species opens with the eleven minute title tune, a musical protest against the Anthropocene Extinction. That extinction is happening right now. Human activity—human predominance of the planet—is its cause. This opener does have an apocalyptic feel, with a dark piano trio intro and a dark strings backdrop seeping into ...
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