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Alchemy Sound Project: Afrika Love
by Troy Dostert
Confirming the many advantages of a regular working ensemble, the Alchemy Sound Project came together in 2014 to provide an additional venue of exploration for several members of the Jazz Composers Orchestra Institute in Los Angeles. Although the group possesses an affinity for fusing classical composition techniques with expansive improvisation, what stands out on Afrika Love, ...
Harold Land: Westward Bound!
by Pierre Giroux
Until 1954 Harold Land was a relatively unknown tenor saxophonist. He experienced a surge in his standing with the release of Clifford Brown & Max Roach (Emarcy 1954) when he was part of this high-profile, but short lived, bebop quintet (1954-56). A decade later, this hard-bop player was recognized for his engaging ideas and robust tone ...
Marta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte
by Mark Corroto
Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that ...
Trøen Arnesen Quartet: Tread Lightly
by Friedrich Kunzmann
The line that separates borrowing from stealing can be quite narrow in music, and even after judges rule on the matter, one may remain torn between the one and the other. It continues to be a very common issue in the mainstream pop world as the recent ruling against pop stars Robin Thicke and Pharrell Williams ...
Michael Bisio / MMBC: MMBC Terma
by Karl Ackermann
Among the side effects of the 2020-2021 pandemic has been the rediscovery of misplaced resources. The trio MMBC dug up the fourteen-year-old recording MMBC Terma, a collection of nine group compositions and improvisations. MMBC is an acronym condensing the initials of the players. Tenor saxophonist (and psychoanalyst) Michael Monhart and drummer Ben Chadabe are lightly-recorded; acclaimed ...
Natsuki Tamura: Koki Solo
by Dan McClenaghan
In 1983, pop vocalist Cyndi Lauper said, Girls Just Want to Have Fun." She probably still sings it. Trumpeter Natsuki Tamura has always wanted to have fun, too, playing--in his early days--jazz standards in Japanese clubs where hostesses in negligees sat at stage-side tables drinking room temperature tea masquerading as whiskey at the expense of ardent ...
Camilia Nebbia: Colibri Rojo
by Mike Jurkovic
Tutored by none other than Marilyn Crispell and Tim Berne, young pioneering saxophonist Camila Nebbia cannot be held totally responsible for her flexible idiosyncrasies. Surely both elders must have mentioned their ideas of musical reflexiveness somewhere in the laboratory. Sketchy, skittish, lean and peerless, Nebbia rarely takes the chance to sweeten the pot. Instead ...
Mike Gibbs: Revisiting Tanglewood 63: The Early Tapes
by Chris May
With British jazz in 2021 in better shape than ever before, record companies are being emboldened to revisit their tape libraries and reissue historic but long deleted albums. At the same time, recently formed specialist labels such as Jazz In Britain are making available club and radio broadcast recordings which have never been released before. The ...
Michael Sarian: New Aurora
by Angelo Leonardi
Giunto al quarto album da leader, Michael Sarian esplora una direzione espressiva diversa da quanto evidenziato col settetto Michel Sarian & the Chabones e con la big band The Big Chabones. Ispirandosi allo stile di trombettisti come Kenny Wheeler, Tomasz Stanko ed Enrico Rava, il trombettistadi famiglia armena, canadese di nascita, argentino di ...
Greg Abate: Magic Dance: The Music of Kenny Barron
by Rob Rosenblum
Magic Dance is an offering by multi instrumentalist Greg Abate, who is a proud keeper of the bebop flame. In the 75 plus years that bebop has been around, there have probably been hundreds of thousands of quartet records with sax, piano, bass and drums, a few of which have been contributed by Abate. But this ...

