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Blue Reality Quartet: Blue Reality Quartet!
by John Sharpe
Back in 2001 when reedman Michael Marcus' trio waxed a disc under the title Blue Reality (Soulnote, 2002), he could scarcely have imagined the circumstances under which he might resurrect the name. As the four masked faces on the cover of Blue Reality Quartet! show, times are sadly very different. Joining Marcus in the studio in ...
Anna Webber: Idiom
by Hrayr Attarian
Award winning composer, saxophonist and flautist Anna Webber is a restless innovator and musical individualist. Her ninth release as a leader, the sublime and magnificent two-disc Idiom is an ambitious project which Webber pulls off brilliantly and with elegance. Five compositions from the “Idiom" series are represented here. Four are in a sparse trio setting while ...
Xhosa Cole: K(no)w Them, K(no)w Us
by Chris May
When tenor saxophonist Xhosa Cole won the BBC Young Jazz Musician of the Year prize in 2018, Britain was introduced to a young player with formidable technique and a solid grasp of the post-John Coltrane African American tradition. Cole was then little known outside Birmingham, his hometown in England's Midlands, and he had developed independently of ...
Stan Kenton and His Orchestra: Concert on the Pacific
by Jack Bowers
The Stan Kenton Orchestra's Concert on the Pacific is actually a compendium of several concerts recorded between January and March 1958 at the Rendezvous Ballroom in Balboa, California—a series that almost emptied Kenton's wallet and caused him to pause and regroup a year or so later. While this was post-Rosolino/Sims/Konitz/Levey, the Kenton Orchestra was never without ...
Jonas Cambien Trio: Nature Hath Painted The Body
by John Sharpe
On its third outing, Norwegian-based Belgian pianist Jonas Cambien's Trio again sticks to the successful gambits which distinguished A Zoology of the Future (Clean Feed, 2016) and We Must Mustn't We (Clean Feed, 2018), but with enough novel switcheroos to keep things fresh. Joining the leader once more is reedman Andre Roligheten (also a member of ...
Jared Hall: Seen on the Scene
by Dan McClenaghan
With Seen On the Scene, his Origin Records debut, trumpeter Jared Hall offers up the sort of fresh bebop/post bop sounds found on the Blue Note Records label in the late 1950s and early 1960s. Horace Silver and Art Blakey and the Jazz Messengers seem to serve as touchstones, as does pianist / composer Tad Dameron, ...
Hearth: Melt
by John Sharpe
Four of the most exciting young improvisers on the European scene assemble for the first time under the name Hearth. In a cosmopolitan roster overflowing with talents who each possess a distinctive individual voice, Amsterdam-based Argentinean reedplayer Ada Rave joins with the Copenhagen-domiciled Slovenian pianist Kaja Draksler, Stockholm-located Portuguese trumpeter Susana Santos Silva and Trondheim-resident Danish ...
Patricia Barber: Clique
by Tyran Grillo
These time-honored songs, lovingly curated, arranged, and performed by pianist/vocalist Patricia Barber and her band, are at last seeing the light of day when the world needs them more than ever. Pristinely recorded, Clique assembles what began as encores to live performances into an experience all its own. The album comes out of the same sessions ...
Kendall Carter: Introducing Kendall Carter
by Jack Bowers
Listening to Kentucky-bred organist Kendall Carter's debut album, aptly titled Introducing Kendall Carter, is akin to taking a pleasant stroll through a park on a warm and sunny day. While Carter is technically flawless, he doesn't overwhelm the listener with waves of sound but plays organ from a pianist's point of view, sacrificing sheer volume on ...
The Witherbees: Love Letter
by Jerome Wilson
The Witherbees are a band from Philadelphia that mix folk, country, rock and jazz together into a stew of dreamy music that flows together easily into a distinctive sound. Instrumental tracks like “Mirage," “Cold Spell" and “Tribute Valley" are the most overtly jazzy ones on their album. On these, Mike Lorenz's guitar and Jacqui ...
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