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John Coltrane: A Love Supreme - Live In Seattle
by Chris May
A Love Supreme: Live In Seattle comes from a gig at The Penthouse in October 1965. The recording, by a septet, is a radical reading of : John Coltrane's suite which has only previously been heard by friends and students of saxophonist and educator Joe Brazil, who taped it and who, few days earlier, had played ...
Ray Obiedo: Latin Jazz Project Vol. 2
by Pierre Giroux
There is a train of thought which proposes that the beginnings of the modern Latin jazz movement originated with the co-mingling of mambo and bebop. Although there is no empirical evidence to support this proposition, the uptake of the Latin style by boppers such as Dizzy Gillespie, Charlie Parker and Herbie Mann gives some credence to ...
Stephan Crump: Wandersphere
by Mark Corroto
Let's play a game. Call it “Is it improvised or composed?" Today's contestants are the Borderlands Trio, comprised of bassist Stephan Crump, pianist Kris Davis, and drummer Eric McPherson. Their release Wandersphere, recorded in December, 2020, consists of four tracks on two CDs. Four lengthy tracks, the shortest nearly twenty minutes and the longest at forty-one ...
Theo Bleckmann & The Westerlies: This Land
by Jerome Wilson
Given the state of the nation in 2021, it is no wonder that protest music has been springing up in all genres. This particular effort by vocalist Theo Bleckmann and the brass quartet the Westerlies mixes protest songs and hymns of the past with original compositions, to comment on various present-day problems. Issues touched ...
Gerry Eastman Trio: Trust Me
by Richard J Salvucci
Right out of the gate, this is a great recording. Gerry Eastman is the moving force as guitarist, producer, arranger, and photographer. If you dig soul jazz and B3 organ trios, it is a safe bet that you will enjoy this session from start to finish. So many great sounds are conjured up: you hear Wes ...
Matthew Stevens: Pittsburgh
by Chris May
Good things were promised by New York-based guitarist Matthew Stevens' fusionesque sophomore album, Preverbal (Ropeadope, 2017). It was made with a kicking trio comprising the exceptional bassist Vicente Archer, a longstanding associate of Robert Glasper, and drummer Eric Doob, whose credits include organist Dr Lonnie Smith and, alongside Stevens, trumpeter Christian Scott. In the normal course ...
Borderlands Trio: Stephan Crump / Kris Davis / Eric McPherson: Wandersphere
by Dan McClenaghan
It begins so quietly, whispering out of silence like a ghost. The creaking door of Stephan Crump's arco bass, the hiss of Eric McPherson's brushes, the parsimonious delicacy of Kris Davis' piano notes. This is what opens Disc one of this two CD outing by the Borderlands Trio. The tune's following half hour's worth of improvisational ...
Renee Rosnes: Kinds of Love
by Mike Jurkovic
Still riding high on the energy generated by her superwoman jazz group Artemis—Anat Cohen, Melissa Aldana, Ingrid Jensen, Noriko Ueda and Allison Miller— pianist Renee Rosnes, undaunted by the string of world crises but just as ruminative as the rest of us, elicits some of the most emotive and enthralling music of her career on Kinds ...
Victor Gould: In Our Time
by Mike Jurkovic
Over the course of his first endearing works, 2016's stunning, NPR Debut Of The Year Clockwork (New Fresh Sounds), Earthlings (Criss Cross, 2018) and the lush Thoughts Become Things (Criss Cross, 2019), pianist/composer Victor Gould has exhibited a relaxed romanticism, an unerring lilt to his music. A warm empathy that draws you into the joyful, reflective ...
Rebecca DuMaine: Someday, Something
by Richard J Salvucci
It is odd that Rebecca DuMaine should have chosen “Alone Again (Naturally)" to decorate a pandemic-influenced recording. Quite a few musicians have, almost perforce, referred to the circumstances of the Covid months, but this song can be oddly compelling for someone who remembers the contrasting emotional environment in which it was recorded in 1972. It was ...
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