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Article: Album Review

Mauro Gargano: Nuages

Read "Nuages" reviewed by Neri Pollastri

by Neri Pollastri

Nel libretto allegato al disco, il suo autore Mauro Gargano definisce questo Nuages «un progetto che rappresenta per me una sorta di “epifania dei sentimenti"», nel quale «sintetizzare la maggior parte delle forme musicali che mi hanno sempre affascinato ma che non ho saputo esprimere in musica per vari motivi», dal jazz a Domenico Modugno, dalla ...

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Article: Album Review

Mauro Gargano: Feed

Read "Feed" reviewed by Neri Pollastri

by Neri Pollastri

A pochi mesi dall'uscita del ben diverso Nuages, il contrabbassista Mauro Gargano affronta a proprio modo il piano trio, scegliendo come partner un altro italiano che, come lui, vive e lavora in Francia, il pianista Alessandro Sgobbio—membro anche degli eccellenti Pericopes ed Hitra—e un grande della batteria d'oltralpe qual è Christophe Marguet—collaboratore tra gli altri di ...

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Article: Album Review

Michael Bisio: Inimitable

Read "Inimitable" reviewed by Karl Ackermann

by Karl Ackermann

Bassist and composer Michael Bisio has appeared on more than one hundred recordings, including numerous appearances with Tomas Ulrich, Ivo Perelman, Joe McPhee, and a regular partnership with Matthew Shipp. More than a dozen of his albums feature the bassist as a leader or co-leader but only one, Travel Music (Self-produced, 2011) has been a solo ...

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Article: Album Review

Immanuel Wilkins: The 7th Hand

Read "The 7th Hand" reviewed by Mike Jurkovic

by Mike Jurkovic

That we are free to think saxophone firebrand Immanuel Wilkins' 2020 Blue Note debut Omega served as a sign of hope amid a particularly hopeless year puts an awful lot of weight on the shoulders of a 25-year-old and, beyond doubt, colors the fate of The 7th Hand. Humbly and characteristically, Wilkins and company meet the ...

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Article: Album Review

Alexander Hawkins / Mirror Canon: Break A Vase

Read "Break A Vase" reviewed by Mark Corroto

by Mark Corroto

Pianist and composer Alexander Hawkins sequences the ten tracks of Break A Vase in a seemingly counterintuitive manner. The title track, which is taken from West Indian poet Derek Walcott's Nobel Prize acceptance speech, is not heard until track six; it is a solo piano performance which emulates Walcott's words, “Break a vase, and the love ...

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Article: Album Review

Ilaria Capalbo: Karthago

Read "Karthago" reviewed by Chris May

by Chris May

Bassist and composer Ilaria Capalbo was born and brought up in Italy but spends much of her time in Sweden, where she recorded Karthago and assembled the band which performs on it. It is always a joy to encounter for the first time a musician who sounds so fresh and original and whose music is such ...

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Article: Album Review

Bloom Funkhouser Duo: Exuberant Ellingtonia: Flute & Piano Sessions

Read "Exuberant Ellingtonia: Flute & Piano Sessions" reviewed by Troy Dostert

by Troy Dostert

Although the enormous quantity of Duke Ellington tributes recorded over the years is probably far too large to count, those involving flute and piano duos are a much rarer find. So it is a welcome occurrence that flautist Peter H. Bloom and pianist John Funkhouser, two prominent veterans of the Boston jazz scene, have recorded just ...

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Article: Album Review

Melissa Aldana: 12 Stars

Read "12 Stars" reviewed by Mike Jurkovic

by Mike Jurkovic

Many musicians have chosen their Blue Note moment to reveal themselves as the artist they are or intend to be. So it is not surprising that a young, gifted artist such as Grammy nominee Melissa Aldana, riding a sure, ascendant arc both creatively and professionally, goes big on her Blue Note debut. From the ...

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Article: Album Review

Mark Lockheart: Dreamers

Read "Dreamers" reviewed by Chris May

by Chris May

As a founder member of Loose Tubes and Polar Bear, saxophonist Mark Lockheart was at the forefront of two waves of reinvigoration of British jazz, one in the 1980s, the other in the 2000s. By age and experience, in 2022 he qualifies as close to an elder statesman of the music. But somehow one still thinks ...

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Article: Album Review

Meer: Playing House

Read "Playing House" reviewed by Glenn Astarita

by Glenn Astarita

Billed as an alternative progressive pop unit, this Norwegian octet skirts progressive rock territory as well. And from a qualitative perspective, the band executes the pop-related choruses with a college education. Lead singers Johanne-Margrethe Kippersund Nisdal (female) and Knut Kippersund-Nedsaf (male) alternate and coalesce throughout these radiantly melodic pieces embedded with strings, keys, guitars, and a ...


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