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Erik Friedlander: A Queens' Firefly
by Troy Dostert
When a cello is your calling card, it is only to be expected that the “chamber jazz" label will tend to follow you around--and so it has for Erik Friedlander, although that term hardly does justice to the variegated possibilities he sets in motion through his assorted projects. Having worked with a “who's who" list of ...
Alessandro Sgobbio: Piano Music
by Dan McClenaghan
We ask our artists to give us something of themselves. The solo piano format is a superior way to do this--the musican alone at the piano, no collaboration; and Italian composer/pianist Alessandro Sgobbio presents the essence of his being with his first solo recording, Piano Music. The music is a diary of Sgobbio's experiences ...
Michael Dease: Best Next Thing
by Kyle Simpler
Like many other talented musicians, Michael Dease always looks for ways to take his music to the next level. He is continually exploring and looking ahead rather than simply resting on his laurels. Because of this passion and determination, he has earned a reputation as a top session player and as a band leader in his ...
Miles Davis Quintet: Live Europe 1960 Revisited
by Chris May
A high proportion of the studio albums recorded by Miles Davis from the mid 1950s until Bitches Brew (Columbia) in 1970 are landmark ones, so frequent and so momentous were the occasions on which Davis adjusted his direction. With a few exceptions, notably My Funny Valentine (Columbia, 1964), this is less true of the live albums ...
Quinn Oulton: Alexithymia
by Peter Jones
It was hardly a new sentiment: "Jazz is dead," proclaimed trumpet-player Theo Croker at a recent London gig. What he meant, of course, was that the word jazz is dead, a turn-off for the general public, and a millstone around the necks of those who try to make a living out of playing it. Why can't ...
JazzLab Orchestra: Loguslabusmuzikus
by Angelo Leonardi
Jazzlab Orchestra è un medio organico costituito da tre ance e due ottoni in varie combinazioni, più una sezione ritmica con pianoforte. Opera da quasi due decenni nel Quebec (Canada), ha pubblicato sette album, collaborato con jazzmen statunitensi di primo piano (Ted Nash, Seamus Blake, Donny McCaslin, Rufus Reid) e dato svariati concerti in Nord America ...
Joel Futterman, William Parker, Chad Fowler, Steve Hirsh: The Deep
by Karl Ackermann
The Deep brings together the quartet of pianist Joel Futterman, bassist William Parker, saxophonist Chad Fowler, and drummer Steve Hirsh. Individually—and collectively—they have been the catalysts for many who wander to the farther bounds of jazz. This leaderless group has recorded in distinct member formations, with Futterman and Parker dating back to Authenticity (Kali Records, 1998). ...
Günter Baby Sommer & the Lucaciu 3: Karawane
by Troy Dostert
Long recognized as one of the most important exponents of European free jazz, drummer Günter Baby Sommer has refused to rest on his laurels, as he continues to do his part to maintain the legacy of free improvisation and creative jazz in a host of contexts, defying the aging process rather insouciantly while doing so. His ...
Opus 5: Swing On This
by Paul Beard
Recorded in September 2021, at the Samurai Hotel Recording Studio under the direction of Mike Marciano, this is the fifth album from contemporary jazz group, Opus 5. Entitled Swing On This, it comprises eight tracks that average around seven minutes each. Hailing from the Netherlands, Opus 5 is a stylish quintet made up of ...
Beverley Church Hogan: Sweet Invitation
by Richard J Salvucci
In 1984, an American writer named Harriet Doerr published a compelling novel called Stones for Ibarra (Penguin Books). The novel, partly autobiographical, was about rural Mexico. Ms. Doerr's novel was her first. It won a National Book Award. Doerr had attended university for a bit but dropped out to raise a family. She was 74 years ...
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