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8

Article: Album Review

Skopje Jazz Inc.: Incorporated

Read "Incorporated" reviewed by Nenad Georgievski

by Nenad Georgievski

Skopje Jazz Inc.'s debut album is contemporary jazz of character and drive. The musicians, seasoned members of the Macedonian scene, approach this record with gusto, energy, and sensitivity. While trumpeter Trajče Velkov and guitarist Zoran Kostadinovski each contributed the compositions to Incorporated, there is an exceptional equanimity on display, which makes it seem like each composition ...

35

Article: Album Review

Nica Carrington: Times Like These

Read "Times Like These" reviewed by Jack Bowers

by Jack Bowers

Even though she had been singing, more or less, since she was a child, it was not until the worldwide Covid-19 pandemic that New Yorker Nica Carrington came to realize that tomorrows come with no guarantees, and that the time had come to buckle down and get serious about her craft. After moving from one voice ...

6

Article: Album Review

Joe McPhee / John Edwards / Klaus Kugel: Existential Moments

Read "Existential Moments" reviewed by John Sharpe

by John Sharpe

Multi-instrumentalist Joe McPhee's trio with British bassist John Edwards and German drummer Klaus Kugel has become another of his most potent working bands, following in the footsteps of such esteemed outfits as Trio X and Survival Unit III. On their third album, after Journey To Parazzar (NotTwo, 2018) and A Night In Alchemia (NotTwo, 2019), recorded ...

7

Article: Album Review

Chet Doxas: Rich in Symbols II

Read "Rich in Symbols II" reviewed by Troy Dostert

by Troy Dostert

One of Chet Doxas' more distinctive projects, Rich in Symbols (Ropeadope, 2017), involved the saxophonist/clarinetist engaging the 1980s art movement of New York's Lower East Side, composing pieces that reflected his deep interactions with some of those iconic paintings. Now he has done the same with artists from his native Canada: specifically, the Group of Seven, ...

Article: Album Review

Silvia Bolognesi, Marco Colonna: EraorA

Read "EraorA" reviewed by Neri Pollastri

by Neri Pollastri

Silvia Bolognesi e Marco Colonna si conoscono dal 2003, quando parteciparono a una conduction di Butch Morris --un artista che per entrambi ha significato moltissimo-- e da allora non hanno mai smesso di incontrarsi e di collaborare, in varie formazioni e anche in duo: era dunque venuto il momento di documentare la loro straordinaria intesa registrando ...

2

Article: Album Review

Snarky Puppy: Empire Central

Read "Empire Central" reviewed by Angelo Leonardi

by Angelo Leonardi

A diciotto anni dalla nascita, gli Snarky Puppy sono tornati a Dallas —luogo d'origine della formazione— per registrare un nuovo album scegliendo l'approccio preferito: quel “live in the studio" con pubblico in sala che ha caratterizzato le loro opere migliori. Quindi otto notti alla Deep Ellum Art Company per mettere a punto 16 ...

38

Article: Album Review

Albare & Co.: Freedom

Read "Freedom" reviewed by Jack Bowers

by Jack Bowers

"Jazz is the voice of freedom," says Israeli-born guitarist & composer Albare, “and it will never be silenced." To that end, Albare has assembled a world-class sextet to perform seven of his sunny, swing-based compositions, two others co-written with pianist Phil Turcio and Turcio's graceful “Shimmozle." The session begins, appropriately enough, with Albare's ...

5

Article: Album Review

Olie Brice Trio / Octet: Fire Hills

Read "Fire Hills" reviewed by John Eyles

by John Eyles

This two-CD Olie Brice release features very different discs--one featuring five tracks, which total forty-five minutes, by the trio of Brice on double bass plus Tom Challenger on tenor sax and Will Glaser on drums, while the other has three tracks, totalling forty-eight-and-a-half minutes, by an octet comprising Brice and drummer Johnny Hunter plus two trumpets ...

7

Article: Album Review

Brian Auger and the Trinity: Far Horizons

Read "Far Horizons" reviewed by Peter Jones

by Peter Jones

The pop world of the late sixties/early seventies period was notable for its dissolving of genres and for its richness of instrumentation. Once jazz, soul, R&B, blues, psychedelia, and acid rock had found each other, the result was a flowering of bands who enjoyed a sunny heyday of horns and Hammond organ, until the guitar groups ...

10

Article: Album Review

Gentiane MG: Walls Made of Glass

Read "Walls Made of Glass" reviewed by Dan McClenaghan

by Dan McClenaghan

Montreal-based pianist Gentiane Michaud-Gagnon, aka Gentiane MG, got her start in music with the classical side. It was Bill Evans' Portrait In Jazz (Riverside Records, 1960) that nudged her in the direction of the possibilities that improvisation offered. With this in mind, it seems fitting that the cover art for her third album release--Walls Of Glass--features ...


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