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Marco Antonio Santos: About: Silence
by Katchie Cartwright
Marco Antonio Santos grew up in Betim, an industrial city in southeastern Brazil. His father, an automotive tooling designer, listened to North American Top-40 radio (Bee Gees, John Denver). At family gatherings, Uncle Fabiano sang such Brazilian popular classics as Noel Rosa's “Com que Roupa?," accompanying himself on guitar and inspiring a twelve-year-old Marco Antonio to ...
Gauci Leibson Parker Sorey: Live at Scholes Street Studio
by John Sharpe
Tenor saxophonist Stephen Gauci certainly knows how to pick a band. On another of his regular bulletins which go under the title Live At Scholes Street Studio, he has assembled a line-up to die for, notable for the appearance of Tyshawn Sorey on drums and William Parker on bass. Although Argentinian pianist Santiago Leibson may be ...
Massimo Barbiero: In Hora Mortis
by Neri Pollastri
Torna con un “disco in solitudine" Massimo Barbiero--forse il percussionista italiano che più frequentemente affronta questo difficile tipo di performance--e lo fa nel suo stile, a partire cioè da ispirazioni extramusicali e producendo delle narrazioni compiute, mai astratte e frammentarie. Come spesso gli accade, l'ispirazione viene dalla letteratura: stavolta il riferimento diretto è a Thomas Bernard, ...
Scott Flanigan: Clouded Lines
by Ian Patterson
A hefty eight years separate Scott Flanigan's debut, Point of Departure (Self Produced, 2015), and Clouded Lines (SF Sounds, 2023). Not that Flanigan has been idle. In the intervening years the Belfast pianist has completed a Ph.D in jazz performance, recorded a duo album with French vocalist Fabrice Mourlon, co-founded a thriving Friday-night jazz club and, ...
Margherita Fava: Tatatu
by Hrayr Attarian
Italian pianist Margherita Fava comes across as a mature composer and a sensitive performer on her captivating debut Tatatu. Based in Knoxville Tennessee, USA, Fava is a consummate musician and educator whose unique set of talents is on full display here as she leads a quartet on two covers and six of her poetic originals.
Ivo Perelman: Artificial Intelligence
by Jeff Schwartz
Do not be misled by the title: no bots or algorithms were involved in creating this album. While there have been fascinating experiments in improvisation with interactive software by George Lewis, Richard Teitelbaum and others, Artificial Intelligence is just under an hour of spontaneous human interaction by two of the most prolific and uncategorizable improvisers in ...
Various Artists: The Birth of Bop
by Richard J Salvucci
Someone famously called jazz the sound of surprise, but all too often, what is on offer is the dull hum of routine. Or something like that. This historic reissue is, however, anything but routine. This is not the first time that Teddy Reig's Savoy sides have been reissued (was he also the mysterious Buck ...
Alex Weiss: Most Don't Have Enough
by Robert Middleton
This album is really special. It doesn't sound like anything else and every song is engaging and interesting. The titles of the songs are also fascinating. Even the collage cover is great and seems to reflect the music. Tenor saxophonist Alex Weiss started writing Most Don't Have Enough during the pandemic and went deep ...
Taj Mahal: Savoy
by Dave Linn
Savoy, from Taj Mahal, is the latest entrant in the crowded field of pop music artists trying their hand at the fertile songbook of old big-band, swing-era standards. Unlike most, Mahal's roots show he's well suited to the task. He was born in Harlem in 1942. He grew up in a musical family, and his parents ...
Zubin Kanga: Machine Dreams
by Marat Ingeldeev
With a growing fascination bordering on mild hysteria over the disruptive intrusion of AI into our daily life, there is no better time for an album like this to be released to the general public. Meet Zubin Kanga, a UK-based pianist, composer and technologist, who attempts to fuse futurism into new music in his Machine Dreams ...
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