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Francesco Fiorenzani: Klondike
by Neri Pollastri
Album al tempo stesso semplice e sofisticato questo Klondike del chitarrista Francesco Fiorenzani, artista che sempre più spesso compare in formazioni di prestigio e che merita un'attenzione particolare per la cura che dedica al suono. Qui lo troviamo alla testa di un classico trio chitarristico, completato dal contrabbasso di Francesco Ponticelli e dalla batteria di Andrea ...
Joe La Barbera: World Travelers
by Dave Linn
Drummer Joe La Barbera has an extensive and impressive resume. At the age of 20, he played in the second drum chair for the Buddy Rich Big Band before driving the 1972 stellar lineup of Woody Herman's Thundering Herd. In 1978, he was offered the prestigious opportunity to be part of the acclaimed (and what turned ...
Maddie Vogler: While We Have Time
by Dan McClenaghan
In the introduction to alto saxophonist Maddie Vogler's debut recording, While We Have Time, are two striking images. The first is the cover shot, a pair of venerable unmatched hands, depicting those of the artist's immigrant grandmothers, beautifully and simply adorned. The second image is the inside photo of a vibrant young woman, an alto saxophone ...
Trickster: Live in Brooklyn
by Troy Dostert
If one is looking for an artist whose ambition and indefatigable spirit seemed destined to withstand the rigors of the Covid pandemic and its deleterious impact on the jazz community, guitarist Miles Okazaki could be near the top of the list. A prolific and well-recorded musician before 2020, he maintained a rigorously creative schedule after it ...
Clint Maedgen: Roussel Maajon
by Thomas Cole
"Roussel Maajon" is the thinly veiled pseudonym of Preservation Hall stalwart, saxophonist/vocalist Clint Maedgen, who is easily identified after a few bars if one is at all familiar with his distinctive voice and energetic music style. And every jazz fan, at least in New Orleans, knows who Roussel is--Kyle Roussel, keyboardist with the Preservation Hall Jazz ...
Chris Hazelton: After Dark
by Pierre Giroux
After Dark from Chris Hazelton is a mesmerizing journey into the world of nighttime musings and atmospheric melodies. Jazz musicians are creatures of the wee small hours of the morning and dimly lit streets. Accordingly, Hazelton crafts a nostalgic and contemporary experience that sets the ambience for introspection and contemplation. Joining Hazelton's ...
Freddie Hubbard: One Of A Kind
by Richard J Salvucci
It is something of a challenge to review Freddie Hubbard's work from the early 1980s. He had changed direction in the early 1970s with Red Clay (CTI, 1970) moving toward soul-jazz and jazz-rock, although anyone listening to Hubbard's playing would hear his standard vocabulary of licks. Some listeners approved; some listeners did not; and some simply ...
Soft Machine: The Dutch Lesson
by Mark Sullivan
Soft Machine had played in Rotterdam several times before this 1973 show in the small theater De Lantaren. But this version of the band was relatively new. One of the earliest shows by the quartet of electric bassist Roy Babbington, Karl Jenkins (on multiple horns and electric piano), keyboardist Mike Ratledge and drummer John Marshall was ...
Matthew Shipp: The Intrinsic Nature Of Shipp
by Karl Ackermann
In a broad-themed 2023 interview with All About Jazz, Matthew Shipp described The Intrinsic Nature Of Shipp as his “grand statement for who I am now." With this solo release, we have a time-stamp in the composer's constantly evolving portfolio. As we trace Shipp's music from his first solo work, Symbol Systems (No More Records, 1995), ...
Nicole Zuraitis: How Love Begins
by Dan Bilawsky
Love is not for the faint of heart. Its tides are unpredictable, bound to different souls, intensifying and ebbing in parallel to the feelings and favors of each individual who exerts their gravitational pull on an evolving romance. Musically charting those waters--depicting the full scope of that sea through song--is no simple feat. Yet some supreme ...
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