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Chris Batchelor's Zoetic: Telling The Tale
by Chris May
A founder member of the radical London big band Loose Tubes in 1983, trumpeter Chris Batchelor was one of the Young Turks leading the mid-to-late 1980s British jazz renaissance. While pianist and composer Django Bates emerged as perhaps the most high-profile member of the band, Batchelor is every inch his equal, both as a player and ...
Chicago Edge Ensemble: The Individualists
by Mark Corroto
Let's trot out the old New York versus Chicago rivalry. Just like with their sports teams (Jets vs. Bears, Knicks vs. Bulls, etc.) music fans feel a need to chose sides. It has been like that since Louis Armstrong left the Windy City for the Big Apple in 1924 and Sun Ra in 1961. Sure NYC ...
Jennifer Wharton's Bonegasm: Grit & Grace
by Dan Bilawsky
Blessed be the 'bone of invention and intention that is Jennifer Wharton. A mere six years ago, the noted bass trombonist had the idea to form a slide-centric septet and commission new music to bring her oft-neglected and ballasting instrument to the fore. Driven to act on that concept, Wharton thought things through, put a plan ...
Remy Le Boeuf: Architecture of Storms
by Jack Bowers
It's hard to become bored or complacent when listening to Architecture of Storms, alto saxophonist Remy Le Boeuf's second album as leader of the twenty-member Assembly of Shadows orchestra. Every song is quite different from the others, and every one has its moments of shapeliness and charm. Le Boeuf arranged every number and ...
Dylan Jack Quartet: Eine Quartett des Grauens
by Geno Thackara
Often--or at least usually, or sometimes? Let's say sometimes--the classics are classics for a reason. Any horror buff has their own ideas where to go for some creepy-crawlies and jump scares, but they'll probably all agree (on some level) that the most old-school classics set down the blueprint before moving pictures were even matched up with ...
Ray Anderson Pocket Brass Band: Come In
by Vic Albani
Con tutto il rispetto per il quartetto di musicisti titolare di questa incisione, questo disco potrebbe essere velocemente destinato alla casella “bello anche se non fondamentale." Ma c'è una storia da raccontare che forse rende giustizia alla “necessità" di volerlo pubblicare e dargli un valore comunque non indifferente. L'11 marzo 2020 è una data ...
Shuteen Erdenebaatar Quartet: Rising Sun
by Troy Dostert
Rarely does one find a debut recording as confident and accomplished as pianist Shuteen Erdenebaatar's Rising Sun. With eight well-crafted compositions, and superb support from her young colleagues, all of whom have similarly bright futures ahead of them, Erdenebaatar successfully stakes her claim as one of the rising stars in post-bop jazz. Although she ...
The Jim Self & John Chiodini Quintet: Touch and Go
by Jack Bowers
A quintet whose front line consists of tuba, guitar and trumpet. How does that work? Quite well, actually--at least when that front line includes tuba master Jim Self, guitarist John Chiodini and trumpeter Ron Stout, ably supported by bassist Ken Wild and drummer Kendall Kay, on the Jim Self and John Chiodini Quintet's album, Touch and ...
Rodrigo Amado / The Bridge: Beyond The Margins
by Mark Corroto
You might think saxophonist Rodrigo Amado's quartet The Bridge is an allusion to Sonny Rollins' performing and recording hiatus between 1959 and 1961. One spent practicing on the Williamsburg Bridge which links Manhattan and Brooklyn. Besides the name, Amado's previous release, Refraction Solo Live At Church Of The Holy Ghost (Trost, 2022), his first unaccompanied recording, ...
John Scofield: Uncle John's Band
by Ian Patterson
John Scofield's entire oeuvre can be roughly divided into groove-based or straight-ahead recordings. Yet even in maximum groove propulsion, as on A Go Go (Verve, 1998), to cite one stellar example, Scofield's grounding in straight-ahead jazz is never far from the surface. On the flip side, his most conventional jazz is always rhythmically vital. Uncle John's ...
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