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Francesco Chiapperini: Trasmigration
by Neri Pollastri
Riprendendo lo spirito con cui nel 2022, con We3, aveva omaggiato non agiograficamente The Trio di John Surman, adesso Francesco Chiapperini, proprio come il sassofonista inglese, amplia il proprio organico e va a rileggere la lezione di Conflagration, storico album del 1971. La formazione è meno ampia di quella messa assieme allora da Surman, ma è ...
Jo Lawry: Acrobats
by Angelo Leonardi
Ha trovato un intrigante, e quanto mai riuscito, equilibrio tra sperimentazione e mainstream la cantante australiana Jo Lawry nel suo pieno ritorno al jazz dopo il debutto del 2008 con I Want to Be Happy. Il merito va condiviso con la contrabbassista Linda May Han Oh e la batterista Allison Miller, magnifiche co-leader di ...
Jimmy Smith: Dot Com Blues
by Chris M. Slawecki
He's known as one of the founding jazz fathers of Hammond B-3 organ funk, but Jimmy Smith has always played the blues. Born in December 1928 in a suburb west of Philadelphia, Smith has been performing since he was 12, at that time in a song and dance act with his father. After a stint in ...
Moppa Elliott's Acceleration Due To Gravity: Jonesville
by Mike Jurkovic
Whatever 'script renegade bassist/composer Moppa Elliot takes on a daily basis, he should be made to share with the rest of the world. Whatever that tonic, whatever that pill, whatever that gumbo scented elixir is, let us have it now. Elliot may not want to open up his private stash to the public, but ...
Baars Buis Deman: Cecil's Dance
by Mark Corroto
Ab Baars has come to be one of the deans of Dutch jazz, which of course is mostly centered around Amsterdam. He can be heard in large settings such as the Instant Composers Pool, in duo with his partner Ig Henneman, or performing with the anarcho-punk band The Ex. Trombonist Joost Buis joined Baar's quartet for ...
Erland Dahlen: Raccoons
by Glenn Astarita
In the ever-expansive landscape of contemporary music, where genres seamlessly merge and boundaries dissolve, Erland Dahlen stands out as a nouveau explorer. His fifth release serves as a testament to the Norwegian musician's exceptional artistry and his fearless foray into uncharted musical territories. Dahlen's collaborative efforts have spanned across the Norwegian and international music ...
Sick Boss: Businessless
by Chris May
This bracing sophomore album from Vancouver's improvising sextet Sick Boss resonates with the beyond-genre territory of the late Jaimie Branch's Fly Or Die quartet. At a surface level there is the shared use of trumpet and cello, but deeper than that, Businessless embraces the riot grrrl abandon so beloved of Branch. Echoes of Fly Or Die ...
Rich Halley: Fire Within
by Troy Dostert
The cover and title of Rich Halley's latest, Fire Within, have a menacing edge, alerting us to the incendiary qualities that are always a part of the tenor saxophonist's music. But one of the remarkable things about Halley's output is that it is never one-dimensional; there are abundant nuances and surprises to keep a listener engaged, ...
Will Regnier: Traces
by Dan McClenaghan
Montreal-based drummer & composer Will Regnier's recording debut, Traces, paints an atmospheric soundscape. It could be a score for a science fiction Western movie, the accompaniment for scenes of a rider under an alien lavender sky, his mount a sturdy quadruped species, neither equine nor bovine, but something different. Low vegetation rises in prickly clumps in ...
Atley King: Unconditional
by Jack Bowers
Unconditional is the debut recording as leader by Atley King who is described in a press release as “Canada's leading young jazz vibraphonist." While that portrayal may or may not be true--not to mention gratuitous--King is very good, as are the members of his admirable quintet. Besides playing splendidly, King wrote the first ...
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