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Judy Niemack: What's Love?
by Angelo Leonardi
Potrebbe non essere gentile iniziare questa recensione ricordando l'età della signora Niemack ma per un'artista ancora così attrattiva ed efficace, l'imminenza dei settant'anni non rappresenta un problema. La cantante californiana mantiene la sua cifra espressiva, aggiungendo nuove ombreggiature vocali e un incedere più intimo e colloquiale, come evidenzia in questo disco. Come altri ...
Winnipeg Jazz Orchestra: Tidal Currents: East Meets West
by Jack Bowers
When it comes to appraising contemporary big bands, Canada's Winnipeg Jazz Orchestra is on equal footing with the best of them. For its seventh album, Tidal Currents, the WJO has engaged two of that country's leading jazz composers, Jill Townsend and Christine Jensen, to present in musical terms impressions of places that have a special meaning ...
This Celestial Engine: This Celestial Engine
by Glenn Astarita
This self-titled debut album is a masterful concoction of genres, melding psychedelic nuances with avant jazz and progressive rock elements. It showcases the talents of Ted Parsons on drums, Dave Sturt on bass, and Roy Powell on keyboards. These musicians are celebrated for their extensive contributions across jazz, metal, rock, and experimental music genres. Operating out ...
Martin Arnold: Flax
by John Eyles
In 2020, near the dawn of the COVID-19 lockdown, in a benevolent act, the Another Timbre label commissioned a number of selected composers to write pieces that would be recorded for the label. One such commission was for one of the label's esteemed Canadian composers, Martin Arnold, to write a CD-length piece for renowned pianist Philip ...
Gianni Mimmo, Harri Sjöström: Wells
by Neri Pollastri
Cultori e specialisti del sax soprano e frequenti collaboratori in formazioni più ampie, Gianni Mimmo e Harri Sjöström stavolta sono in scena in un duetto improvvisato, arte della quale sono maestri, registrato al Teatro San Matteo di Piacenza --il 9 aprile 2022 --i primi tre brani al mattino, in privato, i rimanenti il pomeriggio, in concerto. ...
New Ethic Society Sextet: 1984 Trasformazione Conforme
by Giuseppe Segala
"Che cosa ho appreso dalla poesia? Che un compito e un'intensità politica possono essere veicolati unicamente attraverso la lingua. (...) Questo compito è assunto dal poeta in luogo di un popolo assente. (...) Solo attraverso l'intensificazione poetica della lingua, il popolo assente, per un istante, appare e soccorre." In questo “Epilogo" scandito dalla voce di Giulia ...
Paul Kendall: Whisper Not
by Jack Bowers
An organ trio led not by the organist, Dan Kostelnik, but by tenor saxophonist Paul Kendall. Makes no difference, as the music on Whisper Not is delightful, and Kostelnik and Kendall sound like they've been playing together for years instead of for the first time on this impressive studio date, recorded in March 2023.
Grdina/Lillinger: Duo Work
by Troy Dostert
One would be hard-pressed to find a more versatile guitarist than Gordon Grdina, who somehow manages to try something different with each release. And he is no slouch in terms of productivity either; with at least a dozen releases since 2020, this is an artist who requires multiple palettes. His sensitivity on the oud is one ...
Sam Newsome: Tubes
by Mike Jurkovic
Tubes, a riotous investigation into the sonic by outlaw soprano saxophonist Sam Newsome and provocateur bassist Max Johnson, burps to life with “Dust" and proceeds assuredly down its own peculiar byways and highways. It is a real treat. The track closes with Newsome's prepared horn pondering like a bluesman on his lone, lonely harp. It is ...
Peter Hand: Blue Topaz
by Jack Bowers
Peter Hand has a hand in almost everything on Blue Topaz, playing masterful guitar, writing seven of the album's ten engaging numbers and arranging all of them. He also spliced together a pair of blue-chip ensembles for his first small-group recording after three well-received big-band albums, and invited his longtime friend--and legendary tenor saxophonist--Houston Person to ...
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