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Matthew Halsall: Bright Sparkling Light
by Geno Thackara
Like an author adding a surprise epilogue when you thought the novel was all wrapped up, Matthew Halsall turns out to still have another turn up his sleeve. An Ever Changing View (Gondwana, 2023) offered the musical equivalent of a seaside creative retreat--the kind of vacation that inevitably seems too short, yet would also feel less ...
Luzia von Wyl Ensemble: Frakmont
by Glenn Astarita
Frakmont, the latest offering from Swiss composer/pianist Luzia von Wyl and her ensemble, stands as a remarkable fusion of avant-garde jazz and classical finesse, crafting a sound universe that is at once groundbreaking and eternal. Each track unfolds like a story, told with meticulous care and fervent emotion, under the ensemble's cohesive unity and von Wyl's ...
Erica Seguine: The New Day Bends Light
by Angelo Leonardi
Impegnandosi nel ruolo di produttore, Darcy James Argue dà particolare considerazione al debutto discografico di quest'ensemble, fondato nel 2011 a New York dalle compositrici Erica Seguine e Shon Baker. La prima è anche arrangiatrice e guida dell'orchestra, la seconda entra nel cast come sassofonista. Dopo varie esibizioni in locali chiave della Big Apple, ...
Riley Mulherkar: Riley
by Vincenzo Roggero
Il nome di Riley Mulherkar potrebbe risultare sconosciuto ai più, ma il trentaduenne trombettista originario di Seattle presenta un percorso artistico di tutto rispetto. Vanta due mentori come Wynton Marsalis e il compianto Frank Kimbrough, collaborazioni con musicisti come Theo Bleckmann e Dave Douglas e soprattutto è co-fondatore di Westerlies, il quotato quartetto di ottoni con ...
John Esposito: Blues For Outlaw Hearts
by Dan McClenaghan
Pianist John Esposito, the head honcho at Sunjump Records, has made part of his life's mission to feature underappreciated musicians. Guitarist Sangeeta Michael Berardi, who passed in 2024, was one of them. Berardi owed a big debt to saxophonist John Coltrane. This can be heard--leaving no doubt--on his Sunjump outing Earthship, released in 2008. In the ...
Tony Monaco Trio: Over and Over
by Nicholas F. Mondello
B-3. The organ model resonates with jazz fans as something musically profound which fundamentally hits in the soul. Perhaps it is the Gospel and church roots or the list of greats in the jazz organ pantheon--Jimmy Smith, Jack McDuff, Dr. Lonnie Smith, Shirley Scott, et al. Now that Joey DeFrancesco has left us, there is a ...
Gordon Grdina & Christian Lillinger: Duo Work
by Glenn Astarita
This album features a collaboration between Gordon Grdina on guitar and MIDI-guitar, and Christian Lillinger on drums. The project highlights their combined efforts in composition and improvisation, with most pieces jointly composed by Grdina and Lillinger, except for tracks 1, 5, 8, and 12, credited to Grdina alone. This is an enthralling exploration of ...
Willie Morris: Attentive Listening
by David A. Orthmann
Attentive Listening, Willie Morris 's second Posi-Tone release in as many years, documents the continuing evolution of a jazz master in the making. Like last year's Conversation Starter, the tenor saxophonist/composer thrives in the stimulating company of alto saxophonist/alto flutist Patrick Cornelius and pianist Jon Davis. Bassist Boris Kozlov and drummer Rudy Royston round out a ...
Mina Cho: Beat Mirage
by Jack Bowers
Korean-born, Boston-based pianist Mina Cho's Beat Mirage represents a marriage between western contemporary jazz and traditional Korean rhythms and percussive modulations. The question that arises is this: on what basis should such a hybrid be evaluated? While it isn't strictly jazz, neither is it entirely Korean and thus devoid of such jazz components as interplay and ...
Lauren White: Making It Up As We Go Along
by Nicholas F. Mondello
With this, her fifth album, Los Angeles-based Renaissance lady, Lauren White offers eleven intriguing selections across a range of styles and sources, backed up by some of the city's best. While shrewdly avoiding the tried, true and over-recorded, White uses her subtle skills with taste and maturity. Interestingly, the album plays sequentially as if it were ...
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