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22

Article: Album Review

Geoffrey Dean Quartet: Foundations

Read "Foundations" reviewed by Jack Bowers

by Jack Bowers

Foundations is a generally swinging debut recording by Washington, DC-based pianist and educator Geoffrey Dean's quartet. The studio date pays tribute to the groundwork laid by its storied predecessors, especially those steeped in the hard bop movement that helped change the course of jazz, well before Dean or his sidemen were born. The ...

48

Article: Album Review

Aila Trio: Shaped by Sea Waves

Read "Shaped by Sea Waves" reviewed by Glenn Astarita

by Glenn Astarita

Norway-based Aila Trio's, Shaped by Sea Waves on Edgetone Records, offers an experience for jazz enthusiasts interested in the experimental side of the genre. While not groundbreaking, it presents a solid exploration and a genial journey. Bassist Georgia Wartel Collins is the guiding force behind the album. Her intricate and melodic bass lines function ...

3

Article: Album Review

Cliff Korman: Bossas and Ballads

Read "Bossas and Ballads" reviewed by Katchie Cartwright

by Katchie Cartwright

Pianist-composer Cliff Korman lives and works in Rio de Janeiro, where he serves on the faculty of the Instituto Villa Lobos at the Federal University. A New Yorker with a jazz degree from City College of New York, he trained under Roland Hanna, Ron Carter and Kenny Barron. His “musical journey," as he put it, began ...

9

Article: Album Review

Petra Haller / Meg Morley: Shoulders I Stand On

Read "Shoulders I Stand On" reviewed by John Eyles

by John Eyles

Having been recorded in November 2022 by Henning Svoren at Ocean Sound Studio in Giske, Norway, Shoulders I Stand On was originally released in May 2023 as a CD or download. March 2024 marked a further milestone in the album's history when it was released on blue vinyl as a limited edition twelve-inch LP, comprising the ...

8

Article: Album Review

Dan Weiss: Even Odds

Read "Even Odds" reviewed by Mike Jurkovic

by Mike Jurkovic

To say that “It Is What It Is"--regarding drummer/composer Dan Weiss's feverish first track on the fervently episodic Even Odds--misses the whole point entirely. It could be anything. And within its spacious yet oddly claustrophobic three-and-a-half minutes, evolutions come and go in real time. And real time is a bitch if you cannot keep up.

12

Article: Album Review

Apel-les Carod: Abismes i Flors

Read "Abismes i Flors" reviewed by Ian Patterson

by Ian Patterson

Even if they do not consciously look for them, musicians tend to find role models, someone who inspires and motivates them. Inspiring others was probably not foremost in violinist Apel-les Carod's thinking when, in 2015, he became the first graduate in jazz violin from the Escola Superior de Música de Catalunya. But just as Paco de ...

6

Article: Album Review

The Jimmy Giuffre 3: Music for People, Birds, Butterflies & Mosquitoes

Read "Music for People, Birds, Butterflies & Mosquitoes" reviewed by Joshua Weiner

by Joshua Weiner

Has any musician who is not a pianist explored the trio as a basis for musical invention as thoroughly as Jimmy Giuffre? There have been many versions of the Jimmy Giuffre 3, from the initial 1950s unit with Jim Hall on guitar and either Ralph Peña on bass or Bob Brookmeyer on valve trombone, through the ...

4

Article: Album Review

Ism: Maua

Read "Maua" reviewed by John Sharpe

by John Sharpe

What would a free jazz group sound like if it stayed within conventional rhythmic and melodic parameters? One possible answer was given by pianist Lennie Tristano's pioneering sides such as “Intuition" and “Digression," extemporized by a sextet including Lee Konitz and Warne Marsh. Ism, the cosmopolitan threesome of British pianist Pat Thomas, Swedish bassist Joel Grip ...

7

Article: Album Review

Bobby Wellins Quartet: What Was Happening

Read "What Was Happening" reviewed by Chris May

by Chris May

In 1965 tenor saxophonist Bobby Wellins made an indelible mark on jazz history with his contribution to pianist Stan Tracey's Jazz Suite Inspired By Dylan Thomas's Under Milk Wood (Columbia). The exquisite “Starless And Bible Black" is the most frequently cited track (check the YouTube below) and is indicative of the album's overall beauty. For a ...

73

Article: Album Review

Ches Smith: Laugh Ash

Read "Laugh Ash" reviewed by Glenn Astarita

by Glenn Astarita

Ches Smith's Laugh Ash is not your garden-variety jazz concoction. Instead, it is a genre-defying, shape-twisting auditory escapade that does not just push the envelope--it sends it soaring into the stratosphere. It is both bewildering and bedazzling. These compositions stand as a towering testament to Smith's impressive acumen as a drummer, percussionist, and composer, a veritable ...


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