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Gonzalo Rubalcaba: Borrowed Roses
by Maurizio Zerbo
Borrowed Roses testimonia la nuova primavera artistica di Gonzalo Rubalcaba, già protagonista di recenti opere di valore. Questo album del pianista cubano costituisce una delle rivisitazioni più eleganti e originali degli standard jazzistici proposte in questo decennio. Da “Lush Life" a “Very Early," l'ispirata eplorazione dell'universo canzone è sostenuta da un'invenzione su due livelli che pur ...
Quinsin Nachoff: Stars and Constellations
by Vincenzo Roggero
Quinsin Nachoff è personaggio atipico nell'attuale panorama musicale. Attivo e apprezzato interprete di musica classica come di musica improvvisata, continua a operare con successo in entrambi i campi ma da anni,--attraverso lavori commissionati ad hoc, progetti multimediali che coinvolgono esperti di fisica, cineasti, orchestre da camera, quartetti d'archi --, sta portando avanti una personale visione delle ...
Perry Como with Derek Bailey: Uncharted Harmonies
by Glenn Astarita
Imagine, if you will, the musical equivalent of a black-tie gala crashing into an abstract art exhibit. This is Uncharted Harmonies, where Perry Como, the man whose voice could soothe a charging bull, meets Derek Bailey, a guitarist who thinks musical notes are too mainstream. Together, they have created an album that is as unlikely as ...
Professor Irwin Corey: Duets II, It's All About You!!
by Nicholas F. Mondello
In one of the more noteworthy album discoveries of recent years Schlossin Records, a division of Moyel Music, has unearthed a series of extremely rare cuts featuring the vocal skills of that instructor to the stars and game show celeb, Professor Irwin Corey. Originally recorded live (and without Corey's permission) at multiple locations, the prof sheds ...
Miles Davis / John Coltrane: Live at the Washateria
by Karl Ackermann
Urban legend has it that in 1957 Miles Davis charged up to a frightened woman at the Washateria Laundromat on the corner of Lexington Avenue and 25th Street. He bellowed, “How long does this (expletive) dryer take to dry a pair of socks?" Before the terrified patron could answer, Davis spied John Coltrane in row two, ...
Bob Dylan: The Bootleg Series Volume 21: To Be Likened Later, Spring 65: The Forgotten Gil Evans Sessions
by Mike Jurkovic
Veteran producer Tom Wilson was never a man known to shun aside inspiration. Prior to finding himself at the eye of the Bob Dylan hurricane, Wilson had not only founded Transition Records, but gave the world Sun Ra's unruly, post-bop big band debut Jazz by Sun Ra (Transition, 1957), Cecil Taylor's defiant and quixotic Jazz Advance ...
Anthony Braxton & Lee Konitz: Chess Match
by Ken Dryden
Anthony Braxton and Lee Konitz were hardly strangers by the time they appeared together on Dave Brubeck's LP All The Things We Are (Atlantic), on the track “All The Things You Are." Prior to that 1974 session, the men had met, found common ground and planned to record together in Copenhagen, though that session evidently did ...
Natalie Cressman & Ian Faquini: Guinga
by Dan Bilawsky
Brazilian guitarist-composer Guinga is something of a legendary figure. A polyglot performer associated with música popular brasileira's all-encompassing ethos, he's made his name fusing the contemporary and folkloric strains of his homeland with classical, jazz, rock and pop stylings. His influence looms large in that particular niche of the music world--and, honestly, beyond--and he receives his ...
Julieta Eugenio: Stay
by Dan McClenaghan
Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, ...
Ian Shaw & Tony Kofi: An Adventurous Dream (At PizzaExpress Live In London)
by Chris May
The trouble with live albums recorded in venues that are, essentially, eateries, is that the musicians may have to go large to grab the audience's attention, sometimes too large for the material which they are performing. This is abundantly the case with An Adventurous Dream (At PizzaExpress Live In London): The Music Of Billy Strayhorn And ...
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