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Alan Ferber: Up High, Down Low
by Angelo Leonardi
Nel nono disco da bandleader, il trombonista Alan Ferber ritorna col suo abituale nonet, con cui ha già inciso quattro album. L'organico ha subìto qualche cambiamento con le presenze del chitarrista Nir Felder, di Chris Cheek al sax baritono e qualche altro (ma restano i fidi sassofonisti Jon Gordon, Charles Pillow e John Ellis, il ...
Elton Dean: Elton Dean's Unlimited Saxophone Company
by Chris May
A vitally important platform for apartheid-era expatriate South African musicians, Ogun Records was founded in London in 1973 by the bassist Harry Miller, then in self-exile from South Africa, and his wife, Hazel Miller. Chris McGregor, Dudu Pukwana, Mongezi Feza, Johnny Dyani and Louis Moholo were among those recording with Ogun in the 1970s under their ...
David Murray Quartet with Marta Sanchez, Luke Stewart and Russell Carter: Francesca
by Mike Jurkovic
A jazz classicist since his heady and historic days founding The World Saxophone Quartet, David Murray takes to a studio just outside Zurich with a rhythm section of the next generation and emerges triumphant with the standout Francesca. With an average age of, give or take, thirty-six years between them, Murray, the veteran nearing ...
Andrea Wolper: Wanderlust
by Jerome Wilson
Andrea Wolper is an active jazz singer, composer, and educator but this album is her first recording since 2011. On it, she reestablishes herself as a creative vocalist and arranger who can excel in many different styles. She also benefits from the support of excellent musicians such as reed player Jeff Lederer and violinist Charles Burnham. ...
Greg Chako: Standard Roots
by Edward Blanco
Cincinnati-based veteran jazz guitarist and composer Greg Chako presents his 17th album as leader with the light and tender Standard Roots, returning to his musical foundation of performing in the guitar trio format as he joins forces, once again, with two stalwart players of the Cincinnati jazz scene, bassist Mason Daugherty and drummer Michael Meloy. An ...
Julius Rodriguez: Evergreen
by Chris May
There are two faces of Julius Rodriguez and they are opposing rather than complementary. One face is the pop-jazz one presented by multi-instumentalist Rodriquez on his own albums. The other is the adventurous, strikingly singular modern-jazz face presented by pianist Rodriguez on other people's albums. It is possible to be wildly enthusiastic about the jazz face ...
Nduduzo Makhathini: uNomkhubulwane
by Mike Jurkovic
Abundantly, beatifically, and beautifully ebullient, uNomkhubulwane, Nduduzo Makhathini's eleventh overall effort but third masterwork for Blue Note (his 2020 Blue Note first, Modes of Communication: Letters From the Underworlds and 2022's In the Spirit of Ntu still shimmer and transcend) is, as is the South African pianist's quickly evolving tradition, radiant and revelatory. Emerging ...
Tomeka Reid, Isidora Edwards, Elisabeth Coudoux: Reid/Edwards/Coudoux
by Hrayr Attarian
Leave it to Relative Pitch Records' Kevin Riley's ingenuity to release a unique, live session which brought together three of the world's preeminent cellists-improvisers. The result is the provocative, captivating and simply titled Reid/Edwards/Coudoux. On it, American Tomeka Reid joins forces with Chilean Isidora Edwards, and German Elisabeth Coudoux for four multilayered conversations. Could ...
Marion Brown: Three For Shepp To Gesprachsfetzen Revisited
by Mark Corroto
It's not too late to catch up with alto saxophonist and composer Marion Brown. Thanks to this excellent reissue and remaster series, you can hear the innovative recordings from this master musician. This release follows his 1965/66 discs Capricorn Moon To Juba Lee Revisited (ezz-thetics, 2019) and 1966/67 discs Why Not? Porto Novo! Revisited (ezz-thetics, 2020). ...
Oded Tzur: My Prophet
by Chris May
Much like listening to late period John Coltrane or modern-day Charles Lloyd, listening to Oded Tzur is akin to a spiritual experience. The tenor saxophonist's fifth album, My Prophet, is his most affecting yet. Simultaneously corporeal and metaphysical, soulful and cerebral. Inexplicably, despite having four breathtakingly singular and near-perfect albums out and about ...


