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Kenny Wollesen: LATRALA
by Glenn Astarita
When a February 2022 gig at John Zorn's experimental showcase The Stone was unexpectedly canceled due to Covid protocol, Wollesen seized the lemon juicer and booked the band into Shahzad Ismaily's famed Figure 8 studio in Brooklyn for the following two days. The session was engineered by Lily Wen and produced by Will Shore, a composer ...
Juanma Trujillo: Howl
by Jerome Wilson
Guitarist Juanma Trujillo's Howl explores some of the ways acoustic guitar can flourish in a small jazz group setting. Instead of playing simple rhythm parts, he is fully engaged in the music made by his three bandmates. His tangled strumming makes an interesting counterpoint to Kevin Sun's barrelling tenor sax on “Catharsis." On “Howl," his abstract ...
Janel & Anthony: New Moon in the Evil Age
by Vincenzo Roggero
Due dischi differenti riportati su un unico CD, separati da una pausa di dieci secondi, strumentale il primo, con voce e importante uso dell'elettronica il secondo. Stiamo parlando di New Moon in the Evil Age, recente opera di Janel Leppin e Anthony Pirog, coppia nella vita e in musica da oltre vent'anni. Lei ...
Jeremy Monteiro Organ Quartet: Live Upon Nassim Hill
by Ian Patterson
Singaporean Jeremy Monteiro is primarily known as a pianist, having played with James Moody, Jimmy Cobb, Carmen Bradford, Charlie Haden and Ernie Watts, no less. But he is also a fine organist, an instrument he taught many moons ago. Monteiro returned to those roots with the trio Organamix, whose energy was captured on the live Kuala ...
Warren Wolf: History Of The Vibraphone
by Pierre Giroux
The History of the Vibraphone is a “tour de horizon" of the instrument and an exploration of its evolution in jazz. Joining Wolf in this meticulous selection of pieces from legendary jazz artists are long-time bandmates saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archerand drummer Carroll Dashiell III. Accordingly, Wolf has crafted a collection that ...
Ingrid Laubrock / Tom Rainey: Brink
by Mark Corroto
Could there be a more intimate sound than that of Brink? The saxophone/drums recording by reedist Ingrid Laubrock and percussionist Tom Rainey is as personal as it gets between two working jazz improvisers. The reason may be that Laubrock and Rainey are not just partners in music, but also life partners. Rainey is one of the ...
Luca Tilli: Empty Smile
by Neri Pollastri
L'avevamo ascoltato non troppo tempo addietro in Down at the Docks (We Insist!, 2019), in duo con Sebi Tramontana, e Kammermusik (Setola di Maiale, 2018), in trio con Giancarlo Schiaffini ed Errico De Fabritiis, due dischi di rigorosa improvvisazione. Adesso Luca Tilli si presenta invece da solo con il suo violoncello per offrirci sedici brevi brani ...
Orlando le Fleming & Romantic Funk: Wandering Talk
by Chris May
Wandering Talk is the second part of a project from British bassist Orlando le Fleming which began with Romantic Funk: The Unfamiliar (Whirlwind, 2020). The album convincingly brings together the acoustic jazz tradition and the lush but muscular electric fusion which emerged in the 1980s. Not for nothing is one of le Fleming's heroes, paid tribute ...
Amber Weekes: A Lady With a Song
by Richard J Salvucci
It is difficult to know exactly what to do with a recording like this. Amber Weekes is a very good singer, and from the outset, she calls this a “celebration" of Nancy Wilson, not an imitation or a recreation. You can hear Wilson's influence throughout: her articulation, occasional staccato delivery, deep sincerity and emotional heft come ...
Giorgio Pacorig & Stefano Giust: Così com’è
by Mark Corroto
The sporting equivalent of Giorgio Pacorig and Stefano Giust's Così Com'è ("that's how it is") might be tennis. Their game is a friendly back-and-forth rendezvous instead of a competition that can only be accomplished by two musicians who have worked (a better word would be played) together for more than two decades. Pacorig's piano and Giust's ...
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