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Article: Album Review

Lucas Apostoleris: It's Been Good

Read "It's Been Good" reviewed by Edward Blanco

by Edward Blanco

Producing his third album as leader, Miami-based drummer Lucas Apostoleris delivers an engaging musical statement with the modern and contemporary jazz music of It's Been Good. On an album of all original compositions from the leader, Apostoleris demonstrates his abundant talents as a writer, providing creative and exciting musical moments throughout the session. This musician just ...

82

Article: Album Review

Sophie Lüssi - Sandra Weiss - Fridolin Blumer - Andreas Wettstein: Atlantic Puffin

Read "Atlantic Puffin" reviewed by Glenn Astarita

by Glenn Astarita

AllAboutBirds.org describes the Atlantic Puffin as “a sharply dressed black-and-white seabird with a huge, multicolored bill, the Atlantic Puffin is often called the clown of the sea." This album finds the foursome gleefully tossing classical precision, folk whispers and improvisational bravado into a blender, hitting pulse until it is a cohesive, if occasionally slippery, ...

13

Article: Album Review

Vijay Iyer & Wadada Leo Smith: Defiant Life

Read "Defiant Life" reviewed by Doug Collette

by Doug Collette

As passionate as each man is intelligent, both pianist/composer Vijay Iyer and trumpeter/composer Wadada Leo Smith also manifest healthy egos. Accordingly, collaborations like Defiant Life require each man to contour his skills to complement the other sufficiently. Their shared humility is intrinsic to solidifying the inspiring bond that arises from the two not only playing, but ...

30

Article: Album Review

Sergio Pamies: Time to Say

Read "Time to Say" reviewed by Jack Bowers

by Jack Bowers

Spanish themes and rhythms reign supreme on Time to Say, Granada-born composer, arranger and pianist Sergio Pamies' fourth album, one that is enhanced on its opening and closing numbers, respectively, by the presence of renowned woodwind artists Dave Liebman and Paquito D'Rivera. Not that Pamies' septet needs much help, as everyone is laser-focused ...

5

Article: Album Review

Jorge Cariglino: After the Storm

Read "After the Storm" reviewed by Fran Kursztejn

by Fran Kursztejn

Spanish-Argentinian guitarist Jorge Cariglino has maintained an important influence on the jazz game in Madrid for most of his life. He teaches in there, plays with a variety of local and international masters and bolsters an under-reported community to new heights of experimentation and collaboration, despite an unusually slim catalogue of recorded works. After the Storm ...

Article: Album Review

Nicole Johänntgen: Labyrinth II

Read "Labyrinth II" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Una sassofonista tedesca, un tubista di Seattle e un percussionista svizzero che ha studiato a Cuba, in Brasile e in Africa occidentale, tutti oggi di stanza a Zurigo, compongono questo singolare trio la cui componente principale parrebbe di primo acchito il dinamismo, lo stantuffare ritmico, la vitalità. In realtà, col progredire dei brani (tutti di Nicole ...

27

Article: Album Review

Branford Marsalis Quartet: Belonging

Read "Belonging" reviewed by Mike Jurkovic

by Mike Jurkovic

For his Blue Note debut, saxophonist Branford Marsalis and his long-standing quartet--pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner--hit the sweet spot again and again and again, reinterpreting and re-imagining Keith Jarrett's epochal 1974 ECM classic, Belonging. Not only did Jarrett introduce the world to his no-holds-barred fear-no-idea European quartet--saxophonist Jan Garbarek, ...

7

Article: Album Review

Chris Varga: Breathe

Read "Breathe" reviewed by Dan McClenaghan

by Dan McClenaghan

Setting up shop as a jazz artist in Seoul, South Korea, is probably not the recommended way of raising the profile in the United States. But vibraphonist Chris Varga, who worked the jazz scene in Chicago during the '90s, made that trans-Pacific move and set himself up as a busy and prolific player in Korea's vibrant ...

11

Article: Album Review

Amber Weekes: A Lady With a Song

Read "A Lady With a Song" reviewed by Katchie Cartwright

by Katchie Cartwright

Irving Berlin wrote “Suppertime" (aka “Supper Time") for As Thousands Cheer (1933), a topical revue with several stars and many musical numbers. Ethel Waters introduced it, making history as the first African American woman to star on Broadway. Berlin wrote it specifically for Waters, who also sang his lighthearted “Heat Wave" in the show.

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Article: Album Review

Okonski: Entrance Music

Read "Entrance Music" reviewed by Ian Patterson

by Ian Patterson

A signature sound--whether for an individual musician or a band--comes naturally to some but remains elusive to others. It is worth its weight in gold, making the jobs of publicists, club owners, festival organizers and journalists that much easier. Okonski, the trio of pianist Steve Okonski, bassist Michael Montgomery, and drummer Aaron Frazier, occupies ...


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