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Rodrigo Amado: Beyond The Margins
by Troy Dostert
The aptly titled Beyond the Margins is just the latest entry in tenor saxophonist Rodrigo Amado's burgeoning catalog, and it is certainly further proof that Amado is among the most exciting and accomplished practitioners of free music in the jazz world. Each new release seems to allow him to hone his craft with ever-greater precision, and ...
James Brandon Lewis: For Mahalia With Love
by Jerome Wilson
Tenor saxophonist James Brandon Lewis has been establishing himself in various contexts for the last few years, but his main focus lately has been on his Red Lily Quintet. Their first album, Jesup Wagon, (TAO Forms, 2021), was dedicated to African-American scientist, George Washington Carver. On their 2023 release, the group's music focuses on the work ...
Isaiah Collier: Parallel Universe
by Gareth Thompson
The direct-to-disc recording equipment in Haarlem's Artone studio resembles a vintage control room for time travel, or maybe the record deck in a cyberpunk loft. And yes, that's Haarlem, not Harlem, though one could be excused for mixing them up here. This is where Isaiah Collier came to record Parallel Universe, a valiant and affirmative album ...
Chris May's Best Albums Of 2023
by Chris May
Another great year for recorded jazz. Fourteen of 2023's most special albums are presented here. Eight are new recordings and six are reissues or previously unreleased archive items. Joint Number One Best New Albums Of 2023 Irreversible Entanglements Protect Your Light Impulse! There are two contendors for the slam-dunk ...
Albert Ayler: More Lost Performances Revisited
by Chris May
A state-of-the-art sonic restoration of obscure but historically important Albert Ayler material by Switzerland's ezz-thetics label, which with its parent label, Hat Hut, has been creating an audiophile archive of Ayler recordings with the support of his estate since 1978. All too often, “more" in an album title means “Beware: barrel scraping in ...
Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, ...
SoSaLa: 1993
by Chris May
Saxophonist SoSaLa--born Sohrab Saadat Ladjevardi to Iranian parents in Switzerland, brought up in Germany, martial arts student in Japan, and a New York City resident since 2008--is the sort of wild card we need more of in jazz. Not necessarily because of the actual music he makes, which has limited appeal, but because of the energy ...
Rodrigo Amado / The Bridge: Beyond The Margins
by Mark Corroto
You might think saxophonist Rodrigo Amado's quartet The Bridge is an allusion to Sonny Rollins' performing and recording hiatus between 1959 and 1961. One spent practicing on the Williamsburg Bridge which links Manhattan and Brooklyn. Besides the name, Amado's previous release, Refraction Solo Live At Church Of The Holy Ghost (Trost, 2022), his first unaccompanied recording, ...
French Showcase at the 2023 European Jazz Conference
by Francesco Martinelli
Palais du Pharo/Théâtre La Criée European Jazz Conference Showcases Marseille, France September 14-17, 2023 The showcase program of the 9th European Jazz Conference (see separate article) was inaugurated in the comfortable Auditorium of the Palais du Pharo--the main venue of the conference--by the Orchid Big Band. Born inside the musical collective ...
Jeff Lederer: Balls of Simplicity
by Mark Corroto
To describe Jeff Lederer's latest offering, borrow a catchphrase from Monty Python's Flying Circus, “and now for something completely different." The saxophonist, clarinetist and composer might be best known for reimagining the music of Albert Ayler in both the traditions of the Shaker Christian sect or in a sea shanties format, his irreverent reimagining of Dixieland ...
