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Emergency!: Live In Copenhagen
by Mark Corroto
Surprisingly, drummer Yasuhiro Yoshigaki's band, Emergency!--formed in 2001--never performed outside of Japan until this 2006 date in Denmark. The quartet, also featuring guitarists Otomo Yoshihide and Ryoichi Saito, plus bassist Hiroaki Mizutani, covers the jazz compass in the same manner as 1990s Downtown bands Rootless Cosmopolitans and Junk Genius; that is, they sometimes reimagine standards by ...
Guelph Jazz Festival, September 8-12, 2010
by Kurt Gottschalk
Guelph Jazz FestivalGuelph, CanadaSeptember 8-12, 2010 Some music festivals are holidays and some are expeditions. The annual Guelph Jazz Festival & Colloquium in Ontario has a way of being more safari than respite. The days are long, with lectures and panel discussions on some days beginning at 9:00am and concerts on others ...
Jesper Zeuthen: Jesper Zeuthen Trio
by Mark Corroto
Bless the children of saxophonist Albert Ayler. Bless them, for their convictions are pure, and uncontaminated by convention and style.That benediction should also be extended to Jesper Zeuthen. The sixty-something Danish alto saxophonist serves the same mission as the late, great Ayler on this trio session, with bassist Adam Pultz Melbye and drummer Thomas ...
Darius Jones: From Johnny Hodges To Noise Jazz
by AAJ Staff
Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...
Jan Garbarek / The Hilliard Ensemble: New York, November 12, 2010
by Warren Allen
Jan Garbarek and the Hilliard EnsembleChurch of St. Ignatius LoyolaNew York, NYNovember 12, 2010 Norwegian saxophonist Jan Garbarek and the ancient music quartet known as The Hilliard Ensemble first came together through the machinations of ECM records owner and maestro Manfred Eicher. Their auspicious debut collaboration was Officium (ECM 1994), ...
Jason Robinson: Cerberus Reigning
by Mark F. Turner
Legendary bassist Jaco Pastorius' classic “3 Views of a Secret" could adequately describe saxophonist Jason Robinson's three incredibly distinct recordings. Concurrent 2010 releases include The Two Faces of Janus (Cuneiform), with a tremendous ensemble featuring Drew Gress, Liberty Ellman, George Schuller, Marty Ehrlich and Rudresh Mahanthappa; and the more intimate, but equally daring duo collaboration, Cerulean ...
Henry Grimes at The Stone: Alive at 75
by Gordon Marshall
Henry Grimes, Newman Taylor Baker, Lee Mixashawn Rozie and Connie CrothersThe StoneEast VillageNew York, NY John Zorn honored the great Henry Grimes, bassist and violinist, with “a month of 75th birthdays" this November, consisting of a curatorship of his venue, The Stone, together with his wife, Margaret. A long weekend spent ...
Yoni Kretzmer Trio: Nevertheless
by Eyal Hareuveni
Uprising Israeli-born, Brooklyn-based saxophonist Yoni Kretzmer is a musician well-versed in the rich history of free jazz, without confining himself to any specific genre. In his excellent debut release as a leader, New Dilemma (Earsay, 2009), he featured modern, chamber style compositions. Since than he has led a free-folk quintet in Israel, an Albert Ayler Memorial ...
Jason Robinson / Anthony Davis: Cerulean Landscape
by Troy Collins
"If Ellington were to collaborate with science fiction author Samuel R. Delany, one might encounter a cerulean landscape." This evocative quote from the liner notes to Cerulean Landscape, multi-reedist Jason Robinson's long-awaited duo album with legendary pianist Anthony Davis, paints a vivid picture of their mutual admiration for the work of Duke Ellington and his colorful ...
Paul Bley / Franz Koglmann / Gary Peacock: Annette
by Raul d'Gama Rose
Those familiar with the music of Paul Bley, as well as Annette Peacock--after whom this album is named, and whose compositions are featured--will recall the nervy sense of creativity that flowed through their veins and music. In fact, the manner in which Peacock's work is described also fits Bley; both play music that is austere, exacting, ...
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