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4

Article: Album Review

Franz Koglmann / Bill Dixon: Opium For Franz

Read "Opium For Franz" reviewed by Mark Corroto


This gem of a recording has been a collector's dream prize for decades. Recorded and released in the mid-1970s on flugelhorn/trumpeter Franz Koglmann's Pipe Recordings, each copy of Opium For Franz was issued with an original hand painted cover. Back in the day, we wouldn't speak of a limited issue release, even though this one probably ...

5

Article: Album Review

Benoit Delbecq 4: Spots On Stripes

Read "Spots On Stripes" reviewed by John Sharpe


In the animal kingdom both spots and stripes contribute to the camouflage which keeps the wearer hidden from either potential predators or prey. There's something similarly disorientating about this enigmatic album from French pianist Benoit Delbecq. Renowned as someone who has taken John Cage's idea of prepared piano into the jazz sphere, Delbecq has studied with ...

3

Article: Radio & Podcasts

A Musical Portrait Of William Parker

Read "A Musical Portrait Of William Parker" reviewed by Centro d'Arte Padova


This new installment of our “50/50" series--a collection of mixtapes made in collaboration with the artists hosted at Centro d'Arte--is dedicated to bassist and composer William Parker, a driving force of New York's free jazz scene since the 1970s, and one of the most brilliant musical minds of today's creative music. The selection features ...

2

News: Obituary

Charles "Bobo" Shaw 1947-2017

Charles "Bobo" Shaw 1947-2017

Charles Wesley “Bobo" Shaw, a St. Louis drummer who helped found the Black Artists Group, co-led the Human Arts Ensemble, and played with many prominent jazz and creative musicians of the past half-century, has died at a nursing care facility in St. Louis. He was 69 years old. St. Louis trumpeter, arts administrator and impresario George ...

16

Article: Interview

Dave Burrell: Pianist Navigating the Windward Passages

Read "Dave Burrell: Pianist Navigating the Windward Passages" reviewed by Victor L. Schermer


Dave Burrell is a master pianist and composer who encountered the avant-garde in the 1960s and has been following his own independent path ever since. He combines classical and jazz elements that are both “inside" and “outside" the mainstream. The title of a poem by J.V. Cunningham, “The Metaphysical Amorist" characterizes much of his playing, which ...

7

Article: Album Review

Lawrence D. “Butch” Morris: Possible Universe (Conduction 192)

Read "Possible Universe (Conduction 192)" reviewed by Mark Corroto


With the death of jazzman Lawrence D. “Butch" Morris in 2013, we close the book on one of the most idiosyncratic composers, improvisors, conductors ever to work in creative music. His musical trajectory from a 1970s free jazz cornetist to the originator of his trademark 'Conductions' has been the stuff of legends. Under his baton, he ...

6

Article: Gnome Notes

Eric Zinman's Excellent European Adventures

Read "Eric Zinman's Excellent European Adventures" reviewed by Chris Rich


Eric Zinman goes to Europe each year on his own dime for a varying array of shoe string gigs with people who mean a lot to him as colleagues. He usually works with Mario Rechtern and people from a community in Vienna that includes expatriate, Linda Sharrock. His most recent trip was especially gratifying ...

4

Article: Album Review

Itaru Oki: Chorui Zukan

Read "Chorui Zukan" reviewed by Eyal Hareuveni


Japanese trumpeter Itaru Oki is one of the forefathers of the free jazz scene in Japan; he was a member of the seminal, experimental Japanese trio ESSG, with pianist Satoh Masahiko, and drummer Togashi Masahiko, an improviser who was a role model for many Japanese musicians. Among them was pianist Satoko Fujii, and trumpeter Natsuki Tamura, ...

Album

Plug In

Label: Unknown label
Released: 2013

7

Article: Album Review

Noah Rosen / Alan Siva: O.I.L. (Orchestrated Improvised Lives)

Read "O.I.L. (Orchestrated Improvised Lives)" reviewed by Eyal Hareuveni


Alan Silva is one of the last true heroes of free jazz and improvised music. He was at the right place, at the right time with his own powerful sound. He played, while still playing the double bass, on some of the formative recordings of the forefathers of the sixties free jazz as Albert Ayler, Sun ...


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