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Esbjörn Svensson: HOME.S.
by Mike Jurkovic
Akin to when people first sat in elegant staterooms listening to Chopin, Mendelssohn, Mahler, or Erik Satie seek the muse, HOME.S stands as the first solo performance by the late Swedish pianist Esbjörn Svensson and will quite possibly be considered the grandest moment of any other forthcoming posthumous releases. Recorded mere weeks before the ...
Ludovico Granvassu's Garden Of Jazzy Delights 2022
by Ludovico Granvassu
The depth and range of the music that jazz players have put on record in 2022 are so big that summarizing this year in jazz" by selecting only ten albums feels akin to taking the photo of a breath-taking landscape with an ultra-low resolution camera... Ten years from now, how is one supposed to understand how ...
Karl Ackermann's Best Creative Music Albums Of 2022
by Karl Ackermann
For good, or bad, the new normal" can finally be archived, and the club doors reopened to full rooms of unmasked patrons. 2022 marked an informal end to the Pandemic and a rebirth in live performing arts. Like similar periods in history, an unusual burst of creative energy followed isolation. Jazz was no exception; the resilience ...
Jim Worsley's Best Jazz Albums Of 2022
by Jim Worsley
2022 has been another fertile year for jazz, both old and new. As this is now the season of giving and reflection, I share with you ten standout records that I had the privilege of reviewing. They are placed in random order for equal credibility. If, however, one did put a saxophone to my head to ...
Esbjorn Svensson: HOME.S.
by Geno Thackara
We've had a few from-the-vaults recordings worth celebrating since Esbjorn Svensson's sudden passing in mid-2008, but this long-belated discovery is a quiet surprise the music world could not have expected. There was the Esbjörn Svensson Trio (e.s.t.)'s final completed album Leucocyte (ACT Music) that same year, later followed by the equally exploratory 301 (ACT, 2012) which ...
Esbjorn Svensson: HOME.S.
by Karl Ackermann
In 2022, it has been more than a decade since the influential Swedish pianist/composer Esbjörn Svensson passed. The measure of his impact can be calculated in the ongoing comparisons of up-and-coming piano trios to his groundbreaking Esbjörn Svensson Trio Trio. Several weeks before Svensson's untimely death his wife Eva heard him recording solo piano pieces in ...
Theo Croker: Jazz at Berlin Philharmonic XII: Sketches of Miles
by Mark Sullivan
Let us just cut to the chase and say this is a terrific collection of live concert interpretations and arrangements of acoustic Miles Davis music, drawing from recordings originally released between 1956 and 1968. This period arguably includes his most beloved output, with a place in the hearts of most jazz fans. The first disc in ...
Vincent Peirani: Jokers
by Jim Worsley
In the early 1970s, jazz and rock intersected, and fusion was spawned. In the new millennium, fusion and progressive rock are sometimes bopping down the same road. Music can easily get slotted into one category or another, and of consequence can just as easily be missed. Vincent Peirani's dynamic new recording Jokers, is a fine example ...
John Beasley, Magnus Lindgren, SWR Big Band: Bird Lives
by Jim Worsley
Round about 2017 there was a meeting of the minds. Composers and musicians John Beasley and Magnus Lindgren evolved as kindred spirits, and chose to work together on a project engulfing their shared appreciation of Charlie Parker. This tribute to the man who came to be known simply as Bird, had trouble taking flight. Obstacles, none ...
Jan Lundgren: Into the Night
by Phillip Woolever
This excellent album is part of a series of modern jazz projects with a twist, featuring live recordings by many of the German label ACT's top artists, in unique, uncategorized, and often first time formations. The album comes from a 2020 set at the Ystad Festival in Sweden, which homegrown pianist Jan Lundgren founded ...





