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Eberhard Weber: Encore

by John Kelman
In a time when too many things that seem unfair create victims rather than heroes, the world needs more people like Eberhard Weber. Struck down with a major stroke in 2007, the renowned German bassist found himself without the strength required in his left hand to be able to play the custom-built, electric five-string double bass ...
Eberhard Weber: Encore

by Karl Ackermann
The aesthetic sensibility that has become identified as the sound of ECM is--in large part--a manifestation of German bassist and composer Eberhard Weber's own vision. Spacious, obscured harmonies, fluid melodies and tastefully imbedded electronics, often within a minimalist framework have been consistent components of much of the music in the label's catalog. Weber's inventive approach to ...
Pointing Fingers... And Naming Names

by Jack Bowers
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...
Faith Gibson: Shooting for the Big Moon

by Esther Berlanga-Ryan
Jazz vocalists have struggled through the years to make room for their contributions to the art of improvisation that appear effortless. Their voices are their instrument, an instrument that has to compete with tenor saxophones, drum kits or trumpets; an instrument whose strength rests in the necessity humanity has to communicate with others. To ...