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Yellowjackets Embark on New Chapter with Latest Project, "A Rise in the Road", Available June 25 on Mack Avenue Records
A Rise In The Road, the Yellowjackets‘ second Mack Avenue Records offering, is indeed an appropriate title for a time-honored jazz ensemble that has never been fearful of facing newer musical horizons, not to mention the myriad challenges of life itself. Throughout their storied 32-year history, the Yellowjackets have undergone numerous lineup changes, never failing to ...
Bob James and David Sanborn Pay Tribute to Dave Brubeck and Paul Desmond on New Album, "Quartette Humaine", Available May 21 on Okeh
OKeh will release keyboardist-composer-arranger Bob James and alto saxophonist David Sanborn‘s new album, Quartette Humaine, on May 21, 2013. The project is the first collaboration between the two musicians since their 1986 Platinum-selling, GRAMMY® Award-winning album, Double Vision. An all-acoustic quartet offering, Quartette Humaine pays tribute to the late iconic pianist-composer Dave Brubeck, putting a prime ...
Korean Vocalist Youn Sun Nah Draws on Chanson, Folk, Pop and Jazz Influences for New ACT Music Album, "Lento", Available June 11
Female singers who manage to stir a whole genre are seldom found. Diana Krall and Norah Jones are such outstanding talents who gave vocal jazz a whole new colour, and Korean singer Youn Sun Nah has been equally phenomenal. In the last few years she has conquered the music world with her albums Voyage (2009) and ...
Clark Terry Elected to Jazz Hall of Fame
Thanks in part to the enthusiastic support of hometown fans, trumpeter and St. Louis native Clark Terry (pictured) will be one of three 2013 inductees into Jazz at Lincoln Center's Nesuhi Ertegun Jazz Hall of Fame. JALC announced today that Terry, drummer Art Blakey, and vibraphonist Lionel Hampton got the majority of votes cast online during ...
Jazz This Week: "Triumph of Trumpets" with Faddis, Stafford and Jones, "Seeing Sound," Marco Benevento, Hot 8 Brass Band, and More
If you're a fan of brass instruments, it's a good week to be a jazz listener in St. Louis, with three first-rate trumpet players performing together on one stage, plus a chance to see one of New Orleans' most spirited brass bands. And if you're not in the mood for brass, there are plenty of other ...
Creed Taylor on Phil Ramone
Producer Creed Taylor deserves enormous credit for the American bossa nova movement of the early 1960s. Instead of recording jazz artists interpreting the new Rio de Janeiro sound—as many jazz producers at the time were doing—Creed [pictured above] carefully blended the two. By recognizing the jazziness and seductive qualities of Antonio Carlos Jobim's melodies, Creed was ...
You Don't Need a Label, Manager or Big Money to Make It but You Do Need a Real Team
By Michael Brandvold @michaelsb of Michael Brandvold Marketing. Ron Young the lead singer of Little Caesar posted this earlier this week and it hit me as a great inspirational post for all those musicians who think you need a label, a manager and big money to make it. In the 80s Little Caesar were signed to ...
Antonio Adolfo: "Finas Misturas"
Brazilian pianist, arranger and composer Antonio Adolfo became a professional musician in Rio de Janeiro at age 17 and has since recorded 25 albums as a leader. His teachers were Eumir Deodato and Nadia Boulanger in Paris. Adolfo's songs have been recorded by Sérgio Mendes, Stevie Wonder (Pretty World), Herb Alpert, Earl Klugh and Dionne Warwick. ...
Ars Nova Workshop Spring 2013: An Update
Ars Nova Workshop has reached the halfway point of its Spring 2013 concert season; it has been a great one so far! Thanks for joining us for the performances by Barry Altschul's 3Dom Factor, the Whammies, Kris Davis's Capricorn Climber, Ches Smith & These Arches, and most recently, the spectacular sold-out show at Philadelphia Art Alliance ...
Breakfast at Tiffany's: Real Theme
Like many of you, I love the glitter and shimmer of 1961 New York in Breakfast at Tiffany's. But I must confess I've never cared much for Moon River, the movie's official theme. Oh, it's a great song and all, but I've always found it maudlin and misplaced for the Kennedy-era film. It's just too rural-sounding given ...

