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Amanda Palmer: "Toward a Patronage Society"
The ever-intriguing Amanda Palmer has a really great talk that she gaveat Harvard's Drama Center. In it, she relates he career as a street performer to where the music industry is heading in the digital age. Towards, as she puts it, a virtual patronage society, where every artist proudly stands on their box and isn't afraid ...
Ioumusic: New Artist Crowdfunding App Launches
How Does It Compare To Other Fan Funding Sites? IOUmusic, in a similar vein as other grassroots, crowdfunding applications such as Kickstarter and RocketHub, is a new donation website that's focused on assisting musicians and providing them with alternative means to fund their creative projects. As well, they are positioning themselves as a way for fans ...
Music Think Thank: "Jango Listeners Are Real People Who May Become Real Fans."
Over at our sister blog Music Think Tank, there are two new posts up. One is from Ariel Hyatt of Ariel Publicity, on why Madina Lake's bassist Matthew Leone is s hero. The other, from Brian Hazard of Color Theory, is a fascinating case study on passive promotion and Jango. From The Essay: "I doubt I made ...
Noise Night out @ The Resbox 7.15 w/ Smegma, Joe Potts, Wormses
July's Resbox is for the noise fan It will feature legendary noise outfit Smegma, Joe Potts, and Wormses!Come check it out Thursday the 15th at the Steve Allen...- SMEGMAhttp://myspace.com/smegmatheoriginalhttp://lafms.com/- JOE POTTShttp://tinyurl.com/2cg752g- WORMSES (San Francisco)feat. Bobby Adams (Loachfillet) + Tony Dryer + Jacob Felix Heule (Basshaters)
Lenny Popkin - 317 East 32nd (Choice)
The title on this one is a telltale wink as to the stylistic roots of its principal: Lenny Popkin was and remains a Tristanoite at heart. Like many in the blind pianist's orbit, the tenorist's recording opportunities have been unduly sparse over the decades. This album, recorded by pianist Connie Crothers in front of a New ...
Jay D'Amico Trio - Nocturne: Jazz Under Glass (2010)
By PicoA couple of years ago, pianist Jay D'Amico put out a record that made a fine illustration of his ability to combine the classical stylings of Chopin with the suppleness and relaxed feel of a traditional jazz trio. Tuscan Prelude: Jazz Under Glass was a successful melding of the styles, which has been ...
Harvie S - Cocolamus Bridge (2010)
By PicoAcoustic bassist Harvie S has appeared on over 350 recordings for a very good reason. He has an unshakeable sense of swing, a flawless tone and otherworldly dexterity on his instrument. For a example of his amazing technique, just eyeball the video I embedded in a recent review of a Carol Morgan record. ...
Is Jazz a Young Person's Music After All?
From Stereophile.com Fred Kaplan Blog Is Jazz a Young Person's Music After All? By Fred Kaplan A week ago, I went to see Chris Potter lead a top-notch quintet at the Jazz Standard. It was a great set. Potter's big tenor-sax sound keeps getting more swinging, more virtuosic, yet at the same time tonally ...
Brubeck and Company in Belgium, Part 3
From a DBQ television appearance in Europe, we have the piece that served as the quartet's concert opener for more than a decade. First, a couple of observations, one from me, one from Eugene Wright: From me: Whoever decreed that white men can't play the blues never really listened to Desmond and Brubeck personalize the idiom ...
Illinois Jacquet: Jumpin' at Apollo
In the mid-1940s, Illinois Jacquet was one of only a few tenor saxophonists who played in the styles of both Coleman Hawkins and Lester Young. Most tenormen of the period picked one influential approach or the other. Jacquet's ability to swing between both styles allowed him to chop away like Hawkins on r&b sides and sail ...


