All About Jazz

Home » Articles » CD/LP/Track Review

330

Sinikka Langeland: Starflowers

John Kelman By

Sign in to view read count
ECM has always looked for new ways to interpret traditional music from different cultures. As far back as 1973, saxophonist Jan Garbarek's Triptykon used a traditional Norwegian folk song as the starting point for open-ended improvisation. More recently, British traditionalist Robin Williamson has teamed with artists normally associated with free improvisation for The Iron Stone (2007), combining original and traditional music with contemporary and centuries-old words, for some adventurous and often edgy free play that breaks down every barrier of convention in its path while remaining somehow reverent to its sources.

Born to a Norwegian father and Finnish mother, singer Sinikka Langeland is in many ways Williamson's Northern European counterpart. Her approach has gradually evolved towards original music that explores the dichotomy of her dual-lineage through more archaic forms, and the freedom of open-minded interpretation. Starflower, her ECM debut, combines her cross-cultural, cross-temporal writing with the poetry of Hans Børli. Langeland has recruited, with the additional advice of label owner/producer Manfred Eicher, a group of Scandinavian/Finnish artists commonly associated with jazz, but who have all proven themselves capable of meshing in any context.

Langeland also plays the kantele, a 39-string Finnish table harp. It's a lush yet fragile sound that defines much of Starflowers as does her voice, which possesses strength equally capable of subtly delicacy.

Starflowers reveals its breadth gradually. Opening gently, with only Langeland's kantele and voice, it establishes a flexible time sense that's long been a powerful interpretive device in solo performance, with Langeland stretching and compressing time as she pleases. The ensemble magic unfolds on "Den lille fløyten," with trumpeter Arve Henriksen's shakuhachi-like trumpet, Trygve Seim's resonant tenor, Anders Jormin's robust bass and Markku Ounaskari textural percussion working naturally in similarly elastic time. Slowly they move towards a firmer pulse for a hauntingly beautiful solo section, with Henriksen and Seim simpatico at the most subliminal of levels.

Langeland creates narrative continuity throughout the set by using the same theme on the melancholy kantele/bass/percussion trios of "Sølv" and "Støv," the former featuring Jormin's pizzicato, the latter his arco. "Støv" leads into "Stjernestund," which begins with a percussion solo that's all color, ultimately returning to Langeland's theme from "Sølv" and "Støv" as a vocal interpretation of one of Børli's darkest yet most evocative poems.

There are moments when the ensemble approaches greater abstraction. "Elghjertet" begins in darkness, with Langeland's recitation supported by Seim and Henriksen, who continue to transform their instruments in unexpected ways. A kantele pulse finally emerges, but the approach remains free, even as the others begin to coalesce around it.

The album closes with the expansive "Hard du lyttet til elvene om natta," which melds initial melancholy with a finale of greater optimism. It's the perfect ending to an album that, in its allegiance to both modernity and antiquity, is one of ECM's most appealing explorations of seemingly disparate concepts that ultimately feel completely at home with each other.

Track Listing: Høstnatt på Fjellskogen; Den lillle fløyten; Sølv; Treet som vekser opp-ned; Salstein; Sus i myrull; Støv; Stjernestund; Langt innpå skoga; Det er ei slik natt; Vindtreet; Elghjertet; Har du lyttet til elvene om natta?

Personnel: Sinikka Langeland: vocal, kantele; Arve Henriksen: trumpet; Trygve Seim: tenor and soprano saxophones; Anders Jormin: double-bass; Markku Ounaskari: percussion.

Title: Starflowers | Year Released: 2007 | Record Label: ECM Records

Tags

comments powered by Disqus

CD/LP/Track Review
Extended Analysis
CD/LP/Track Review
Read more articles
Starflowers

Starflowers

ECM Records
2007

buy
 

Runoja

ECM Records
2002

buy

Related Articles

Read The Gravity Project CD/LP/Track Review
The Gravity Project
by Gareth Thompson
Published: October 23, 2018
Read Experiments on Human Subjects CD/LP/Track Review
Experiments on Human Subjects
by Glenn Astarita
Published: October 23, 2018
Read Street Scene CD/LP/Track Review
Street Scene
by Nicholas F. Mondello
Published: October 23, 2018
Read In Common CD/LP/Track Review
In Common
by Roger Farbey
Published: October 23, 2018
Read Jazz In Detroit / Strata Concert Gallery / 46 Selden CD/LP/Track Review
Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Chris May
Published: October 22, 2018
Read Remember Love CD/LP/Track Review
Remember Love
by Jack Bowers
Published: October 22, 2018
Read "Intelsat" CD/LP/Track Review Intelsat
by Karl Ackermann
Published: September 30, 2018
Read "Live In London Volume II" CD/LP/Track Review Live In London Volume II
by Roger Farbey
Published: August 17, 2018
Read "Lessons And Fairytales" CD/LP/Track Review Lessons And Fairytales
by Jerome Wilson
Published: November 23, 2017
Read "Tramontana" CD/LP/Track Review Tramontana
by Dr. Judith Schlesinger
Published: July 4, 2018
Read "What What" CD/LP/Track Review What What
by Mark Corroto
Published: March 2, 2018
Read "Wherever You're Starting From" CD/LP/Track Review Wherever You're Starting From
by Dan Bilawsky
Published: March 8, 2018