Home » Jazz Articles » Album Review » Wolfgang Schalk: Space Messengers
Wolfgang Schalk: Space Messengers
In the CD booklet, Schalk cites Pat Martino as one of his primary influences, and indeed, the Austrian possesses a clarion, ringing guitar sound that recalls Martino. Yet Schalk is very much his own man. He plays with an attractive lyricism, enabling some of his phrases to float over the rhythm section, and one of his most intriguing strategies is a seemingly effortless tendency to insert unexpected chordal passages into a single-note line. To my ears, his finest improvising comes on the rockish "Frame Up." Playing what sounds like an amplified acoustic guitar, Schalk tears into the changes with relentless power and soaring invention.
Yet, as good as these guitar solos are (and they are very, very good), the compositions themselves are what first catch the ear. Schalk creates impressive structures for improvisation, and he fits each and every structure with a hip, catchy melody. If other musicians pick up on these tunes, every single one of them has the potential to become a jazz standard.
Of course, this album's success is also rooted in the exemplary rhythm section. This is a working band whose empathy is clearly audible. They flow and dance through the intricacies of Schalk's compositions, and they swing with grace and power. Andy McKee's booming bass sound is an asset, and drummer Ian Froman keeps things interesting. Put simply, pianist Dave Kikoski is in excellent form throughout. Highly recommended.
Track Listing
Space Messengers; Gossip; The Bell Song; Anyways; Why Ypsilon; Hi There; Peoples; Frame Up.
Personnel
Wolfgang Schalk
guitarWolfgang Schalk: guitars; Dave Kikoski: piano; Andy McKee: acoustic bass; Ian Froman: drums.
Album information
Title: Space Messengers | Year Released: 2005 | Record Label: Universal Music Group
About Wolfgang Schalk
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







