Jason Kao Hwang: Soliloquies, Unaccompanied Pizzicato Violin Improvisations

Violinist Jason Kao Hwang is the kind of collaborator every creative improviser dreams of having. His résumé reads like a who's who of avant-garde jazz, including partnerships with Lawrence "Butch" Morris, Henry Threadgill, William Parker, Ivo Perelman, Anthony Braxton, and Steve Swell, among others. Hwang's musical versatility and deeply intuitive improvisational sensibility have made him a sought-after voice across a wide spectrum of exploratory music.

With Soliloquies, Hwang steps away from the dynamic interplay of ensemble work to present a striking set of twelve solo performances. While solo violin recordings are not rare, what sets this session apart is Hwang's decision to focus exclusively on pizzicato— eschewing the bow entirely in favor of plucking. This deliberate limitation becomes a portal to a rich world of sound, one that he navigates with inventive spirit and emotional depth.

Across the album, Hwang draws from a wide palette of techniques and textures: clipped bursts of energy, quiet meditative passages, dance-like figures and nuanced, slurred phrasing. Each piece feels like a vignette, a brief yet vivid moment of personal expression. The inspiration for this approach stems from childhood memories of listening to his immigrant parents speak Chinese. As a second-generation listener, Hwang often relied on vocal tone and pitch to grasp meaning—an experience he mirrors here, communicating through inflection, resonance, and rhythmic contour rather than literal language.

In Soliloquies, Hwang transforms the violin into a storytelling device, one that transcends words. By speaking through his instrument in this intimate, stripped-down form, he invites listeners to tune into the subtleties, to hear not just the notes, but the intent and emotion behind them. This is a conversation of tone and texture—a deeply personal statement from a singular artist.

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