Home » Jazz Articles » Album Review » Sylvia Bennett: Smile

238

Sylvia Bennett: Smile

By

Sign in to view read count
Sylvia Bennett: Smile
The Great American Songbook is full of love songs that have stood the test of time through countless interpretations by the greatest singers in the world. In searching for new ways to recast such standards—without serving up the same old tunes in the same worn out fashion—Sylvia Bennett takes her turn at voicing many of these familiar songs and, with Smile, breathing new life into a dozen oft-recorded standards. To distinguish the album from other similar recordings, Bennett and longtime producer/guitarist Hal S. Batt, forgo the use of any horn instruments in favor of delivering rhythm-based music employing a typical piano-bass-drum combo augmented by Batt on guitar, and adding a special touch—the sounds of the Vienna Strings, arranged by Mike Lewis.

Bennett's warm-toned vocals serve her quite well here as she unleashes an assault on the Songbook in stylish fashion, opening and closing the repertoire with Burt Bacharach's "Look of Love," bookending the album with a classic rendition and a smooth pop version, essentially departing from the theme of the project. The late Charlie Chaplin most likely spread a smile from above after hearing Bennett's treatment of his immortal title tune complete with Batt's tasteful guitar licks against the backdrop of beautifully arranged strings.

On the bewitching "Witchcraft," Bennett turns in a lush performance behind some very fine instrumentals from her hand-picked crew. Based in Miami, Florida, the singer calls on nationally-recognized musicians from the area including bassist and University of Miami educator Chuck Bergeron, pianist Mike Levine, drummer Richard Bravo, and percussionist Sammy Figueroa.

The love ballads continue with the classic "Shadow of Your Smile" and Ray Noble's "The Very Thought of You," with Bennett's soft vocals providing a tenderizing touch. Flavoring the music from boleros to bossa nova and Latin styles, some of the pieces—like "Make Someone Happy" and the Cole Porter standard "Night and Day"—include delicate percussion from Figueroa, except on "Where or When," where the beat is lively and fast-paced.

Bennett does her magic with stellar reads of "Fly Me to the Moon" and "What a Difference a Day Makes." Before the pop-styled finale of the "Look of Love," she provides a bonus track of "Smile," this time titled "Sonrie," voicing the lyrics in Spanish, backed once again, by superb instrumentals and strings. Within the genre of gentle jazzy love songs, Bennett's treatment of this music delivers a musical experience sure to draw a well-deserved Smile.

Track Listing

Look of Love; Smile; Witchcraft; Shadow of Your Smile; The Very Thought of You; Make Someone Happy; I'll Be Seeing You; Where or When; Love is Here to Stay; Night and Day; Fly Me to the Moon; What a Difference a Day Makes; Sonrie; Look of Love.

Personnel

Sylvia Bennett: vocals; Chuck Bergeron: bass; Mike Levine: piano; Richard Bravo: drums; Hal S. Batt: guitar; Sammy Figueroa: shaker (6, 8, 10); Mike Lewis: arranger of Vienna Strings.

Album information

Title: Smile | Year Released: 2010 | Record Label: Self Produced


< Previous
Dos Amantes

Next >
The Audience

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.