Results for "Cole Porter"
Cole Porter
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WHILE the 1920's ended on December 30, 1929--and a far different political, social, and sociological climate prevailed during the ensuing decade--a number of highly gifted writers managed to keep alive in the musical theater of the 1930's some of the feverish spirit and the unconventional attitudes of the "roaring Twenties." The most significant of these was Cole Porter. In his lyrics and melodies--for like Irving Berlin he wrote both--he fixed the smartness and cynicism, the freedom in sex attitudes, the lack of inhibitions in speech and behavior, and the outright iconoclasm that had characterized the 1920's
Happy Birthday, Cole Porter
by Russell Perry
We are celebrating Cole Porter's 130th birthday—born June 9, 1891, This means that Porter was 27 years old, having already had shows produced on Broadway, when the first jazz recording was made in 1917. Early recordings by James P. Johnson, Jimmie Lunceford, Teddy Wilson and Django Reinhardt showed the adaptability of his compositions to the jazz ...
Sam Braysher Trio: Dance Little Lady, Dance Little Man
by Thomas Fletcher
It was back in 2017 when we were first introduced to Sam Braysher with his debut release Golden Earrings (Fresh Sound New Talent), performed alongside pianist, Michael Kanan and featuring a collection of reinterpreted songs from the Great American Songbook. Braysher is now following his own footsteps by releasing a trio album with a similar theme. ...
Cote Calmet: Cultivating Afro-Peruvian Rhythms
by Ian Patterson
What do a dead donkey, a Seat Alhambra and Led Zeppelin's John Bonham all have in common? Whatever images your mind's eye may conjure, these three clues, in fact, all lead to Phisqa, the contemporary jazz band of Afro-Peruvian bent, formed by drummer Cote Calmet in Dublin, Ireland, in 2010. But let's not get ...
Bebop Bassist Will Lyle Readies Debut Album, 'l.A. Source Codes' Featuring 3 Generations Of Musicians
A source code is a piece of computer language that is readable by a human programmer. The talented young bassist-composer Will Lyle sees bebop and the jazz language as a musical source code that is kept alive by both the keepers of the flame and the younger players who push the music forward. Born in Southern ...
Emmet Cohen: Hail the Piano Player
by Zachary Weg
In a plain, gray building off Edgecombe Avenue in Harlem, pianist, Emmet Cohen, gently hammers on his instrument, head bopping to the drum hits and bass thuds that reverberate along the plant-lined walls of his apartment. Thirty years old and one of the finest piano players to emerge in decades, the Miami-born and Montclair, New Jersey-raised ...
Vijay Iyer: Uneasy
by Scott Gudell
When Vijay Iyer signed to ECM Records in 2013, he joined a prestigious group of world-class musicians (including fellow pianist Keith Jarrett). With Uneasy, Iyer returns to familiar territory by leading a combo of bass, drums and piano. This album's trio can intuitively improvise and, with the revered pianist-composer at the helm, the music they present ...
Dave Brubeck: Time OutTakes
by Stefano Merighi
Time OutTakes è il frutto della scoperta dell'insieme dei nastri giacenti nei vaults della Columbia, riguardanti il celebre album di Dave Brubeck, edito nel 1959. Come spesso accade per questo genere di operazioni, il supplemento di materiale che esce fuori dallo scavo coincide con versioni alternative dei medesimi brani della collezione definitiva (outtakes), ma ...
Dave Liebman tra Maestri e allievi
by Neri Pollastri
Classe 1946, Dave Liebman viaggia verso i settantacinque anni, ma li porta con una leggerezza e un'energia che gli permettono un'invidiabile produttività e, soprattutto, un encomiabile e continuo livello qualitativo dei suoi lavori. I tre che prendiamo qui in considerazione sono tutti di uscita recente, anche se la loro registrazione risale in due casi--entrambi live--a qualche ...
Cecil Taylor: Mixed To Unit Structures Revisited
by Mark Corroto
A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcription—not the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...
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