Kevin Kaska Jazz Orchestra: Shades of RioBy
Kaska, who honed his composing / arranging skills at the Berklee School of Music, was invited in 1997 by none other than John Williams to compose for the Boston Pops a twenty-minute work for narrator and orchestra, The Wizard of Menlo Park, marking the one hundred-fiftieth anniversary of Thomas Edison's birth. Later, he was commissioned to write the Boston Symphony Orchestra's enthusiastically received 2000 Fanfare. A documentary of Kaska's work, Eroica! has been broadcast on PBS, and he even has an entry in the Guinness Book of World Records for a composition commissioned by the World Harp Congress using the world's largest harp ensemble, 232 in all.
Having dissected Kaska's credentials, what of the music itself? While much of it is lyrical and more or less even-tempered ("elevator music," as a close companion remarked), it must be appraised here on the basis of its jazz quotient, which is generally quite strong. In other words, there is no rule that says jazz can't be pretty as well as creative. Yes, there are some truly lovely melodies on the album, and yes, strings are often on hand to amplify the experience (as they are with the Netherlands Metropole Orchestra), but the strings are counterbalanced by Sandoval's luminous solos as well as persuasive statements by Dan Higgins (alto and soprano saxophones, flute), pianist / organist Mike Lang and others. Sandoval is especially assertive on Kaska's down-home "Gospel of Truth," wherein he duels with Higgins, Lang (on Hammond B3), vibraphonist Nick Mancini and trombonist Scott Whitfield.
Sandoval has his own feature ("Tenderly"), as do Higgins ("Elegy for John Barry") and Lang ("True to the End," on which he is accompanied only by bassist Mike Valerio). Sandoval, Higgins (alto), Mancini and trombonist Bob McChesney shine brightly on the sunlit opener, "Spy on the Wall," Sandoval, Lang (B3) and Higgins on the tantalizing "Baile Sauve." Higgins and Lang (piano) trade volleys on the graceful and well-named "Samba de Higgins," Antonio Carlos Jobim's lilting "So Danco Samba" and (with guitarist Carl Doering) Kaska's picturesque "Serenade from Rio." Lang, Higgins (soprano), Mancini and Doering return to help spruce up the expressive finale, "Carnivale."
Say what you will about beauty, it definitely has a place in jazz; and if it swings, so much the better. On Shades of Rio, Kevin Kaska and his exemplary orchestra examine both sides of that coin, which more often than not lands heads-up and shining brightly.
Spy on the Wall; Elegy for John Barry; Baile Sauve; Samba de Higgins; Laura; So Danco Samba; Serenade from Rio; Gospel of Truth; True to the End; Tenderly; Carnivale.
Kevin Kaska: conductor, composer, arranger; Dan Higgins: alto, soprano sax, clarinet, flute; Paul Fried: flute; Steve Kujala: flute; Charlie Loper: trombone; Scott Whitfield: trombone; Bob McChesney: trombone; Alex Iles: trombone; Phil Teele: trombone; Chris Bleth: oboe, English horn; Brian O’Connor: French horn; Brad Warnaar: French horn; Steve Becknell: French horn; Dan Kelly: French horn; Jenny Kim: French horn; Justin Hageman: French horn; Gayle Levant: harp; Tereza Stanislav: violin; Darius Campo: violin; Becky Bunnell: violin; Kevin Connelly: violin; Lorenz Gamma: violin; Tammy Hatwan: violin; Songa Lee: violin; Helen Nightengale: violin; Carolyn Osborn: violin; Sara Parkins: violin; Barbara Porter: violin; Rafael Rishik: violin; Sarah Thornblade: violin; Josefina Vergara: violin; Robert Brophy: viola; Shawn Mann: viola; Darrin McCann: viola; Vicky Miskolczy: viola; Andrew Shulman: cello; Paul Cohen: cello; Cecilia Tsan: cello; Xiaodan Zheng: cello; Drew Dembowski: contrabass; Mike Lang: piano, Hammond B3; George Doering: guitar; Nick Mancini: vibraphone; Michael Valerio: bass; Harvey Mason: drums; Andy Sanesi: Latin percussion; Christian Moraga: Latin percussion. Special guest – Arturo Sandoval: trumpet (solos on tracks 1, 3, 5, 8, 10).
Title: Shades of Rio | Year Released: 2016 | Record Label: Denouement Records