Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

4

Bobby Rush: Porcupine Meat

James Nadal By

Sign in to view read count
They don't call Bobby Rush the King of the Chitlin' Circuit for nothing. With an extraordinary discography, and legendary status as an enthusiastic live performer, Rush was recognized in 2015 with a fifty year, retrospective box set, titled "Chicken Heads," by Omnivore Recordings. Returning to his home state of Louisiana, and recorded in New Orleans, the octogenarian singer stays true to his southern funky blues style on Porcupine Meat, his debut release for Rounder Records.

Rush is also acknowledged as a prolific songwriter, and he came prepared with a dozen gems drawn from all those years in the business, and on the road. Producer Scott Billington procured the appropriate group of accompanying musicians for these sessions, highlighted by a dynamic horn section. Rush also plays harmonica on most of the songs, adding an acoustic down home element to this production.

Opening with the funky "I Don't Want Nobody Hanging Around," Rush lays out the direction this is going to go, with his lyrics leaving no room for doubt as to what he means. The title track brings down the heat to a soul-blues simmer, in a song that is perfectly suited for the jukebox in a roadhouse. It's all the way into the personal blues on "Got Me Accused," Rush displaying a more serious side of a man done wrong, with no way out. Double-entendre is one of Rush's trademarks in songwriting, "Snake In The Grass," Nighttime Gardener," and "Catfish Stew," being perfect examples of this ageless trick from tin pan alley.

The lovers quarrel has always provided a goldmine of material, and Rush delves deep into these situations on "Me Myself And I," "It's Your Move," and "Standing On Shaky Ground." Though some of these might be humorous and others outright ribald, there is no questioning his ability to sing it with authentic feeling as one who has been there and back. The final number, "I'm So Tired," is performed with a stripped down rhythm section, featuring stellar guitar work by Vasti Jackson, who also doubled as musical director for this project.

Bobby Rush is a prime specimen of a performer who has been pursuing his craft for over half a century, and is keeping the blues alive. He travels in a parallel musical universe, on the back roads of the chitlin' circuit, doing his thing, gig after gig, night after night, getting it done. His voice is in optimum condition and his devotion to this recording is evident throughout. Having had moderated success as a record producer for his own label Deep Rush, this release for Rounder affords him exposure to a wider audience, as the word gets out that Bobby Rush is back, though he has always been around.

Track Listing: I Don’t Want Nobody Hanging Around; Porcupine Meat; Got Me Accused; Snake In The Grass; Funk O’ De Funk; Me, Myself And I; Catfish Stew; It’s Your Move; Nighttime Gardener; I Think Your Dress Is Too Short; Standing On Shaky Ground; I’m Tired.

Personnel: Bobby Rush: vocals, harmonica; Vasti Jackson: guitar; Shane Theriot: guitar; David Torkanowsky: Hammond B3 organ, piano, Hohner clavinet, Fender Rhodes, Wurlitzer; Kirk Joseph: sousaphone; Jeffrey “Jellybean” Alexander: drums; Barney Floyd: trumpet; Jeff Albert: trombone; Jeff Watkins: tenor sax; Charles Elam III: backing vocals; Cornell Williams: backing vocals; Johnette Downing: backing vocals; Joe Bonamassa: guitar (6); Khari Lee Allen: alto saxophone; Dave Alvin: guitar (8); Roger Lewis: baritone sax; Keb Mo: guitar (9); Scott Billington: percussion (11).

Title: Porcupine Meat | Year Released: 2016 | Record Label: Rounder Records

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Upcoming Shows

Date Detail Price
Mar28Thu
Bobby Rush
Sellosali
Espoo, Finland
Mar29Fri
Bobby Rush
Cosmopolite Scene
Oslo, Norway
Apr9Tue
Bobby Rush
Jazz Cafe
London, UK
Jun7Fri
Bobby Rush
Chicago Blues Festival
Chicago, IL

Related Articles

Read Our Story Album Reviews
Our Story
By Troy Dostert
March 25, 2019
Read Influences Album Reviews
Influences
By Don Phipps
March 25, 2019
Read The Transitory Poems Album Reviews
The Transitory Poems
By Mark Corroto
March 25, 2019
Read Birckhead Album Reviews
Birckhead
By Mike Jurkovic
March 25, 2019
Read Live At Moods Album Reviews
Live At Moods
By Chris M. Slawecki
March 25, 2019
Read Live at Frankie's Jazz Club Album Reviews
Live at Frankie's Jazz Club
By Jack Bowers
March 24, 2019
Read Asperger Album Reviews
Asperger
By Don Phipps
March 24, 2019