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Pianist Joanne Brackeen’s Grammy nominated release; “Pink Elephant Magic” easily ranks as one of the top releases of 1999. With her follow up, titled Popsicle illusion - Ms. Brackeen embarks on a solo piano recital that features a series of originals and time honored standards as the jazz public receives yet another extraordinary glimpse of this remarkably talented musician.
Listen to how she seamlessly melds James P. Johnson style stride piano with lush harmonies and jazzy single note leads while injecting warmth and breadth into the overall scope of Frank Loesser’s “If I Were A Bell”. Ms. Brackeen displays Art Tatum-esqe speed on Cole Porter’s “From This Moment On” and accents a tantalizing melody with odd-metered, Monk-ish block chords on her composition “Telavision”. On this piece, the pianist branches off with weaving and harmonically rich patterns. - She pursues whimsical yet at times frantic and rambunctious chord progressions sans losing the melody on her composition, “High Tea For Stephany”. While she calms the proceedings a bit during her sublime rendition of Duke Ellington’s classic, “Prelude To A Kiss” as Popsicle Illusion just reaffirms Joanne Brackeen’s preeminence in the world of modern jazz.
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.