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ARTICLE: LIVE REVIEWS

Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City

Read "Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City" reviewed by Mackenzie Horne

For countless bluesmen, rockers, and bossa players, the guitar is the path to jazz; that trail was blazed as early as the 1920s by practitioners such as Eddie Durham, Eddie Lang, Django Reinhardt, and Charlie Christian. For Pittsburgh guitarist Mark Strickland, it was Kenny Burrell's Midnight Blue (Blue Note, 1963) that first sparked his interest in ...

ARTICLE: UNDER THE RADAR

Women in Jazz, Pt. 2: The Girls From Piney Woods

Read "Women in Jazz, Pt. 2: The Girls From Piney Woods" reviewed by Karl Ackermann

In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world.

One hundred years after Lil Hardin held ...

ARTICLE: ALBUM REVIEWS

Floyd Domino's All-Stars: Floyd Domino's All-Stars

Read "Floyd Domino's All-Stars" reviewed by Karl Ackermann

At the time in which traveling bands of the Southern Plains were reaching their peak popularity--the 1920s--Texas and Oklahoma contingents were experimenting beyond their typical formulaic performances. At the same time Western music was on the verge of dying and likely would have were it not for the efforts of folklorists John Lomax (the father of ...

ARTICLE: UNDER THE RADAR

Blue Highways and Sweet Music: The Territory Bands, Part II

Read "Blue Highways and Sweet Music: The Territory Bands, Part II" reviewed by Karl Ackermann

Part 1 | Part 2

Part 1 of Blue Highways and Sweet Music: The Territory Bands looked at the roots, drivers and challenges of the travelling groups who brought jazz music to the non-urban areas of the Southern Plains, through one-night-stands, in often impromptu venues. A black phenomenon, often misappropriated by white musicians, promoters, ...

ARTICLE: UNDER THE RADAR

Flame Keepers: National Jazz Museum in Harlem

Read "Flame Keepers: National Jazz Museum in Harlem" reviewed by Karl Ackermann

On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...

ARTICLE: ALBUM REVIEWS

TJI Ellington Big Band: Things to Come

Read "Things to Come" reviewed by Jack Bowers

To accentuate the positive, the ten-year-old Ellington Big Band, flagship ensemble of the Tucson (AZ) Jazz Institute, established its credentials by earning first-place honors twice (2010, 2012) in Jazz at Lincoln Center's annual Essentially Ellington competition, and has been named best Performing Arts High School Jazz Band by DownBeat magazine. On the heels of these honors, ...

ARTICLE: ALBUM REVIEWS

Chris Barber: Memories of My Trip

Read "Memories of My Trip" reviewed by Chris M. Slawecki

You will find very few jazz retrospectives more thoroughly, warmly inviting than Memories of My Trip, which celebrates six decades of recording and performing by one of Britain's most enduring traditional jazz musicians--trombonist, bassist and bandleader Chris Barber. Presented across two CDs (one subtitled Blues, Jazz & Gospel and the other subtitled Blues & Jazz), Barber's ...

ARTICLE: FROM THE INSIDE OUT

From Britain to Boogaloo

Read "From Britain to Boogaloo" reviewed by Chris M. Slawecki



Chris Barber

Memories of My Trip

Proper American Records

2011

You will find very few jazz retrospectives more thoroughly, warmly inviting than Memories of My Trip, which celebrates six decades of recording and performing by one of Britain's most enduring traditional jazz musicians--trombonist, bassist and bandleader Chris Barber. ...

ARTICLE: UNDER THE RADAR

Eddie Durham: Genius in the Shadows

Read "Eddie Durham: Genius in the Shadows" reviewed by Jim Gerard

On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...

ARTICLE: BIG BAND CARAVAN

Stan Kenton-NOVA Jazz Orchestra / Baker's Dozen Big Band / Danny D'Imperio and the Bloviators

Read "Stan Kenton-NOVA Jazz Orchestra / Baker's Dozen Big Band / Danny D'Imperio and the Bloviators" reviewed by Jack Bowers

Stan Kenton Orchestra / NOVA Jazz Orchestra

Double Feature, Vol. 2

Tantara Productions

2012

One of the more difficult aspects of reviewing Tantara's series of impressive salutes to Stan Kenton and his music is knowing where to begin. As on Volume 1 of the label's Double Feature (with Volume 3 ...