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Richard Galliano: Passatori
ByThe set kicks of with Opale Concerto , a up-tempo piece that is fully realized in terms of modern composition; employing meter shifts, upward and downward spirals, and interesting harmonic twists and turns. A good deal of dissonance is created by having the ensemble voices outline a series of maj7b5 chords ascending in fourths. Oblivion is a beautiful minor ballad which features the melancholic accordion of Galliano quite well, while the South American-tinged Harbanerando with it's repeating ostinato bass figure, is full of emotion, intrigue, and mystery. However, the real gem on this disc was saved for last: the three-part Astor Piazzolla composition Concerto pour Bandoneon. This beautifully rendered version is diligently carried forth by Galliano and company, who skillfully embellish the intricacies within the work. The composition itself is firmly rooted in late romantisicm, yet looks ahead to later styles found in twentieth century music. The last movement of this piece gives Galliano a chance to engage in some pure, unadulterated improvisation, before the ensemble once again takes over the helm, ending in an impassioned cadence. Fans of the accordian and bandoneon will want to check this CD out. ***½ stars
Track listing:Opale Concerto; Oblivion; San Peyre; La Valse a Margaux; Melodicelli; Habanerando; Concerto pour Bandoneon
Personnel
Richard Galliano
accordionAlbum information
Title: Passatori | Year Released: 2000 | Record Label: Dreyfus Records
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