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With this new release, the Swiss 'hatOLOGY' record label serves up six pieces culled form a live 1995 performance, featuring the trio's permutations of microtonal passages, call and response techniques, and unorthodox harmonic fabrications. On the 26-minute opener, "Some And Then Some," tenor saxophonist Joe Maneri renders an amalgamation of half-tones and abstract, blues-based lines along with emotive howls and shrieks, as violinist Mat Maneri and guitarist Joe Morris engage in circular, three-way dialogue atop a bevy of intertwining textures.
The musicians' animated approach and spurious interplay is akin to some sort of domino effect, where the respective soloist's trigger responses from one another. Throughout, the trio expounds upon an abundance of emotionally driven mini-themes, consisting of Morris' articulately executed, fluttering single note lines, Mat Maneri's interrogation of all sonic registers and the band's overall propensity to pursue verbose dialogue amid various odd-metered rhythmic foundations. Hence, the music portrayed here often elicits notions of three scientists delving into a complex mathematical formula.
Track Listing: Some And Then Some; Spoken Things; Small Steps In The Right Direction; Roots Go Deep; Out Right Now; Blues Current
Personnel: Joe Maneri; alto & tenor saxophones: Joe Morris; guitar: Mat Maneri; violin
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.