Home » Jazz Articles » Album Review » Pain of Salvation: One Hour By The Concrete Lake
Pain of Salvation: One Hour By The Concrete Lake
Pieces such as “Inside” and “The Big Machine” boast robust and quite spirited interplay along with tricky time signatures and the at times gruff and groaning vocals of Mr. Gildenlow, yet these Swedes do know how to handle their respective instruments while also possessing a flair for the dramatic! The composition, “A Handful of Nothing” boasts driving rhythms, eerie textures and gloomy or ominous lyricism yet “Home” skirts the fringes of 70’s style Canterbury prog-rock complete with whimsical melodies, delightful keyboard work by Frederik Hermannson, and Johan Hallgren’s ripping lead guitar lines.
Throughout, the musicians display technical proficiency while providing a noticeable degree of sentiment and conviction even though this writer could not desist pondering Jethro Tull’s abysmal and extremely superfluous “Passion Play”, which was a magnum opus theme piece marked by an entanglement of meaningless time changes and overwrought dramatizations. Thankfully, One Hour By The Concrete Lake is not of that ilk; however, at times the overabundance of doom, gloom and eerie dissonance along with rapid shifts in – compositional strategy – conjured up notions of history repeating itself. However, One Hour By The Concrete Lake escapes these proverbial traps by a fairly decent margin. Overall, this recording does provide a good level of interest and exhibits strong potential from a group of like-minded musicians who appear to be on the right track as they pursue their dreams and goals in acute and somewhat convincing fashion.
* * * (out of * * * * *)
Personnel
Daniel Gildenl
Album information
Title: One Hour By The Concrete Lake | Year Released: 2000
About Pain of Salvation
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






