Directed by Anthony Coleman, the Contemporary Musical Arts Department concert takes place on Tuesday, November 14 at NEC’s Jordan Hall
The year 1923 was pivotal in Music History. In a concert titled simply 1923, NEC’s Contemporary Musical Arts Department looks at how, one hundred years ago, music engaged with world events, technological innovations, and more. Directed by faculty member Anthony Coleman, the 7:30 p.m. performance on Tuesday, November 14 takes place in Jordan Hall, 30 Gainsborough St., Boston. Admission is free, reservations are required. For more information visit necmusic.edu.
The concert celebrates the innovations of American experimental composer Henry Cowell; Rosita Quiroga, the first woman tango singer; Mongolian soundscapes as described by a tourist visiting China in that year; a tribute to early Blues recordings; and the first recording of “Nkosi Sikelel’i Afrika,” the hymn which has come to symbolize the struggle for African unity and liberation in South Africa. Also included are Jelly Roll Morton’s “King Porter Stomp” performed by Coleman’s CMA Early Jazz Ensemble, an exploration of Kurt Schwitters’ “Ursonate” performed by Lautaro Mantilla’s Contemporary Rock Ensemble, and Bartok’s “Dance Suite” performed by Eden MacAdam-Somer’s CMA Chamber Ensemble.
The concert celebrates the innovations of American experimental composer Henry Cowell; Rosita Quiroga, the first woman tango singer; Mongolian soundscapes as described by a tourist visiting China in that year; a tribute to early Blues recordings; and the first recording of “Nkosi Sikelel’i Afrika,” the hymn which has come to symbolize the struggle for African unity and liberation in South Africa. Also included are Jelly Roll Morton’s “King Porter Stomp” performed by Coleman’s CMA Early Jazz Ensemble, an exploration of Kurt Schwitters’ “Ursonate” performed by Lautaro Mantilla’s Contemporary Rock Ensemble, and Bartok’s “Dance Suite” performed by Eden MacAdam-Somer’s CMA Chamber Ensemble.
About New England Conservatory (NEC)
Founded by Eben Tourjée in Boston, Massachusetts in 1867, the New England Conservatory (NEC) represents a new model of music school that combines the best of European tradition with American innovation. The school stands at the center of Boston’s rich cultural history and musical life, presenting concerts at the renowned Jordan Hall. Propelled by profound artistry, bold creativity and deep compassion, NEC seeks to amplify musicians’ impact on advancing our shared humanity, and empowers students to meet today’s changing world head-on, equipped with the tools and confidence to forge multidimensional lives of artistic depth and relevance. As an independent, not-for-profit institution that educates and trains musicians of all ages from around the world, NEC is recognized internationally as a leader among music schools. It cultivates a diverse, dynamic community, providing music students of more than 40 countries with performance opportunities and high-caliber training from 225 internationally esteemed artist-teachers and scholars. NEC pushes the boundaries of music-making and teaching through college-level training in classical, jazz and contemporary improvisation. Through unique interdisciplinary programs such as Entrepreneurial Musicianship and Community Performances & Partnerships, it empowers students to create their own musical opportunities. As part of NEC’s mission to make lifelong music education available to everyone, the Preparatory School and School of Continuing Education delivers training and performance opportunities for children, pre-college students and adults.Visit Website | Purchase Tickets
For more information contact Braithwaite & Katz Communications.
